| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon: upon as fully armed. The only parts remaining are the shins and feet,
which of course protrude beyond the cuisses, but these also may be
armed by the addition of gaiters made of leather like that used for
making sandals. And thus you will have at once defensive armour for
the shins and stockings for the feet.
The above, with the blessing of heaven, will serve for armour of
defence. To come to weapons of offence, we recommend the sabre rather
than the straight sword,[9] since from the vantage-ground of the
horse's position the curved blade will descend with greater force than
the ordinary weapon.
[9] The {makhaira} (or {kopis}), Persian fashion, rather than the
 On Horsemanship |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Unconscious Comedians by Honore de Balzac: "It may be only natural," said Bixiou. "One-third of all the lorettes,
one-fourth of all the statesmen, and one-half of all artists consult
Madame Fontaine; and I know a minister to whom she is an Egeria."
"Did she tell you about your future?" asked Leon.
"No; I had enough of her about my past. But," added Gazonal, struck by
a sudden thought, "if she can, by the help of those dreadful
collaborators, predict the future, how came she to lose in the
lottery?"
"Ah! you put your finger on one of the greatest mysteries of occult
science," replied Leon. "The moment that the species of inward mirror
on which the past or the future is reflected to their minds become
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