| The first excerpt represents the past or something you must release, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy: good a grace as if instructed by a dancing master. They turned
heels over head with a basket having eggs in it, without breaking
any; also with lighted candles on their heads, without
extinguishing them; and with vessells of water without spilling a
drop."
The cruel sport of bull and bear baiting was also commonly
practised. Seated round an amphitheatre, the people witnessed
these unfortunate animals being torn to pieces by dogs, the
owners of which frequently jumped into the arena to urge them to
their sanguinary work, on the result of which great wagers
depended. Indignation arising against those who witnessed such
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Around the World in 80 Days by Jules Verne: He bore his misfortune with his habitual tranquillity.
Ruined! And by the blundering of the detective! After having
steadily traversed that long journey, overcome a hundred obstacles,
braved many dangers, and still found time to do some good on his way,
to fail near the goal by a sudden event which he could not have foreseen,
and against which he was unarmed; it was terrible! But a few pounds were
left of the large sum he had carried with him. There only remained
of his fortune the twenty thousand pounds deposited at Barings,
and this amount he owed to his friends of the Reform Club.
So great had been the expense of his tour that, even had he won,
it would not have enriched him; and it is probable that he had not sought
 Around the World in 80 Days |
The third excerpt represents the future or something you must embrace, and is drawn from Riders of the Purple Sage by Zane Grey: ponderous cliffs from their foundation. Indeed, it seemed that
these ruined cliffs were but awaiting a breath of wind to
collapse and come tumbling down. Venters hesitated. It would be a
foolhardy man who risked his life under the leaning, waiting
avalanches of rock in that gigantic split. Yet how many years had
they leaned there without falling! At the bottom of the incline
was an immense heap of weathered sandstone all crumbling to dust,
but there were no huge rocks as large as houses, such as rested
so lightly and frightfully above, waiting patiently and
inevitably to crash down. Slowly split from the parent rock by
the weathering process, and carved and sculptured by ages of wind
 Riders of the Purple Sage |