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Today's Stichomancy for Calista Flockhart

The first excerpt represents the past or something you must release, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

refused credit. The day before yesterday it was announced in his columns that a gold repeater set with diamonds belonging to a certain notability had found its way in a curious fashion into the hands of a private soldier in the Guards; the story promised to the readers might have come from the Arabian Nights. The notability lost no time in asking that editor to dine with him; the editor was distinctly a gainer by the transaction, and contemporary history has lost an anecdote. Whenever the press makes vehement onslaughts upon some one in power, you may be sure that there is some refusal to do a service behind it. Blackmailing with regard to private life is the terror of the richest Englishman, and a great source of wealth to the press in

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Chouans by Honore de Balzac:

to work that a child can handle it. Sometimes the peasants economize the stone which forms the weight by lengthening the trunk or branch beyond the pivot. This method of enclosure varies with the genius of each proprietor. Sometimes it consists of a single trunk or branch, both ends of which are embedded in the bank. In other places it looks like a gate, and is made of several slim branches placed at regular distances like the steps of a ladder lying horizontally. The form turns, like the /echalier/, on a pivot. These "hedges" and /echaliers/ give the region the appearance of a huge chess-board, each field forming a square, perfectly isolated from the rest, closed like a fortress and protected by ramparts. The gate, which is very easy to


The Chouans
The third excerpt represents the future or something you must embrace, and is drawn from The Garden Party by Katherine Mansfield:

about it. It's so hard to explain. You know I've never--" She stopped. Reggie looked at her. She was smiling. "Isn't it funny?" she said. "I can say anything to you. I always have been able to from the very beginning."

He tried to smile, to say "I'm glad." She went on. "I've never known any one I like as much as I like you. I've never felt so happy with any one. But I'm sure it's not what people and what books mean when they talk about love. Do you understand? Oh, if you only knew how horrid I feel. But we'd be like...like Mr. and Mrs. Dove."

That did it. That seemed to Reginald final, and so terribly true that he could hardly bear it. "Don't drive it home," he said, and he turned away