| The first excerpt represents the past or something you must release, and is drawn from Madame Firmiani by Honore de Balzac: reader must have known the luxury of tears, must have felt the silent
pangs of a passing memory, the vision of a dear yet far-off Shade,--
memories which bring regret for all that earth has swallowed up, with
smiles for vanished joys.
And now, believe that the writer would not, for the wealth of England,
steal from poesy a single lie with which to embellish this narrative.
The following is a true history, on which you may safely spend the
treasures of your sensibility--if you have any.
In these days the French language has as many idioms and represents as
many idiosyncracies as there are varieties of men in the great family
of France. It is extremely curious and amusing to listen to the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Confessio Amantis by John Gower: Only for love and for justice,
Thurgh which he thoghte, if that he myhte,
For evere after his deth to rihte
The cite which was him betake.
Wherof men oghte ensample take
The goode lawes to avance
With hem which under governance 3020
The lawes have forto kepe;
For who that wolde take kepe
Of hem that ferst the lawes founde,
Als fer as lasteth eny bounde
 Confessio Amantis |
The third excerpt represents the future or something you must embrace, and is drawn from Agnes Grey by Anne Bronte: kiss dear mamma; and then won't you show Miss Grey your schoolroom,
and your nice new books?'
'I won't kiss YOU, mamma; but I WILL show Miss Grey my schoolroom,
and my new books.'
'And MY schoolroom, and MY new books, Tom,' said Mary Ann.
'They're mine too.'
'They're MINE,' replied he decisively. 'Come along, Miss Grey -
I'll escort you.'
When the room and books had been shown, with some bickerings
between the brother and sister that I did my utmost to appease or
mitigate, Mary Ann brought me her doll, and began to be very
 Agnes Grey |