| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson: be in very nearly the same case with those who addressed me, for
while I am willing enough to write something, I know not what to
write. Only one point I see, that if I am to write at all, it
should be of the University itself and my own days under its
shadow; of the things that are still the same and of those that are
already changed: such talk, in short, as would pass naturally
between a student of to-day and one of yesterday, supposing them to
meet and grow confidential.
The generations pass away swiftly enough on the high seas of life;
more swiftly still in the little bubbling back-water of the
quadrangle; so that we see there, on a scale startlingly
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac: town, till we came at last to a dingy dwelling, and she bade me enter
in. She dragged me with her, calling to me in a harsh, tuneless voice
like a cracked bell:
"Defend me! defend me!"
Together we went up a winding staircase. She knocked at a door in the
darkness, and a mute, like some familiar of the Inquisition, opened to
her. In another moment we stood in a room hung with ancient, ragged
tapestry, amid piles of old linen, crumpled muslin, and gilded brass.
"Behold the wealth that shall endure for ever!" said she.
I shuddered with horror; for just then, by the light of a tall torch
and two altar candles, I saw distinctly that this woman was fresh from
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