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Today's Stichomancy for Calvin Klein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Call of the Canyon by Zane Grey:

tang of cedar and sage on the air and that indefinable fragrance peculiar to the canyon country of Arizona. How it brought back to Carley remembrance of Oak Creek! In the west, across the purple notches of the abyss, a dull gold flare showed where the sun had gone down.

In the morning at eight o'clock there were great irregular black shadows under the domes and peaks and escarpments. Bright Angel Canyon was all dark, showing dimly its ragged lines. At noon there were no shadows and all the colossal gorge lay glaring under the sun. In the evening Carley watched the Canyon as again the sun was setting.

Deep dark-blue shadows, like purple sails of immense ships, in wonderful contrast with the bright sunlit slopes, grew and rose toward the east, down


The Call of the Canyon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Walden by Henry David Thoreau:

with a companion on a visit of ceremony to Massasoit on foot through the woods, and arrived tired and hungry at his lodge, they were well received by the king, but nothing was said about eating that day. When the night arrived, to quote their own words -- "He laid us on the bed with himself and his wife, they at the one end and we at the other, it being only planks laid a foot from the ground and a thin mat upon them. Two more of his chief men, for want of room, pressed by and upon us; so that we were worse weary of our lodging than of our journey." At one o'clock the next day Massasoit "brought two fishes that he had shot," about thrice as big as a bream. "These being boiled, there were at least forty looked for a share in them;


Walden
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ursula by Honore de Balzac:

world sells dearly what we think it gives."

Instead of laying to heart the sensible advice which the cleverest pilots of the Parisian archipelago gave him, Savinien took it all as a joke.

"Take care, my dear fellow," said de Marsay one day. "You have a great name; if you don't obtain the fortune that name requires you'll end your days in the uniform of a cavalry-sergeant. 'We have seen the fall of nobler heads,'" he added, declaiming the line of Corneille as he took Savinien's arm. "About six years ago," he continued, "a young Comte d'Esgrignon came among us; but he did not stay two years in the paradise of the great world. Alas! he lived and moved like a rocket.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lost Continent by Edgar Rice Burroughs:

copy of the edict of 1972 from the hand of my illustrious ancestor, Admiral Turck, on one hundred seventy-five, two hundred and six years ago, and from the yellowed pages of the admiral's diary I learned that the fate of the Philippines was even then presaged by these Chinese naval officers.

Yes, for over two hundred years no man crossed 30d to 175d and lived to tell his story--not until chance drew me across and back again, and public opinion, revolting at last against the drastic regulations of our long-dead forbears, demanded that my story be given to the world, and that the


Lost Continent