| The first excerpt represents the past or something you must release, and is drawn from At the Mountains of Madness by H. P. Lovecraft: noticed this belt of carving was hinted by the presence of a used
flashlight battery on the floor in front of one of the most characteristic
cartouches.
Since we could not afford to spend any considerable
time in study, we resumed our advance after a cursory look; though
frequently casting beams over the walls to see if any further
decorative changes developed. Nothing of the sort was perceived,
though the carvings were in places rather sparse because of the
numerous mouths of smooth-floored lateral tunnels. We saw and
heard fewer penguins, but thought we caught a vague suspicion
of an infinitely distant chorus of them somewhere deep within
At the Mountains of Madness |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Around the World in 80 Days by Jules Verne: embarrassed; and these thoughts did not cease worrying him for a long time.
The principal chain of the Vindhias was crossed by eight in the evening,
and another halt was made on the northern slope, in a ruined bungalow.
They had gone nearly twenty-five miles that day, and an equal distance
still separated them from the station of Allahabad.
The night was cold. The Parsee lit a fire in the bungalow
with a few dry branches, and the warmth was very grateful,
provisions purchased at Kholby sufficed for supper, and the
travellers ate ravenously. The conversation, beginning with a few
disconnected phrases, soon gave place to loud and steady snores.
The guide watched Kiouni, who slept standing, bolstering himself
Around the World in 80 Days |
The third excerpt represents the future or something you must embrace, and is drawn from Camille by Alexandre Dumas: identified, and only the family can give leave for it under the
direction of a police inspector. That is why M. Duval has gone to
see Mlle. Gautier's sister, and you may be sure his first visit
will be for me."
We had come to the cemetery gate. I thanked the gardener again,
putting a few coins into his hand, and made my way to the address
he had given me.
Armand had not yet returned. I left word for him, begging him to
come and see me as soon as he arrived, or to send me word where I
could find him.
Next day, in the morning, I received a letter from Duval, telling
Camille |
