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Today's Stichomancy for Cameron Diaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from First Inaugural Address by Abraham Lincoln:

within any State or States, against the authority of the United States, are insurrectionary or revolutionary, according to circumstances.

I therefore consider that, in view of the Constitution and the laws, the Union is unbroken; and to the extent of my ability I shall take care, as the Constitution itself expressly enjoins upon me, that the laws of the Union be faithfully executed in all the States. Doing this I deem to be only a simple duty on my part; and I shall perform it so far as practicable, unless my rightful masters, the American people, shall withhold the requisite means, or in some authoritative manner direct the contrary. I trust this will not be regarded as a menace, but only as the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Walden by Henry David Thoreau:

whose shells they are, and not any peculiarity in their surfaces merely, which makes them picturesque; and equally interesting will be the citizen's suburban box, when his life shall be as simple and as agreeable to the imagination, and there is as little straining after effect in the style of his dwelling. A great proportion of architectural ornaments are literally hollow, and a September gale would strip them off, like borrowed plumes, without injury to the substantials. They can do without architecture who have no olives nor wines in the cellar. What if an equal ado were made about the ornaments of style in literature, and the architects of our bibles spent as much time about their cornices as the architects of our


Walden
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shadow out of Time by H. P. Lovecraft:

there was more in them than the blocks themselves had supplied. How did I know that this level should have been far underground? How did I know that the plane leading upward should have been behind me? How did I know that the long subterrene passage to the Square of Pillars ought to lie on the left one level above me? How did I know that the room of machines and the rightward-leading tunnel to the central archives ought to lie two levels below? How did I know that there would be one of those horrible, metal-banded trap-doors at the very bottom four levels down? Bewildered by this intrusion from the dream-world, I found myself shaking and


Shadow out of Time
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

the edge. He glanced forward at Usanga and then, placing his mouth close to the girl's ear he cried: "Have you ever piloted a plane?" The girl nodded a quick affirmative.

"Have you the courage to climb up there beside the black and seize the control while I take care of him?"

The girl looked toward Usanga and shuddered. "Yes," she replied, "but my feet are bound."

Tarzan drew his hunting knife from its sheath and reaching down, severed the thongs that bound her ankles. Then the girl unsnapped the strap that held her to her seat. With one hand Tarzan grasped the girl's arm and steadied her as the


Tarzan the Untamed