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Today's Stichomancy for Carl Gustav Jung

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mansfield Park by Jane Austen:

convinced that my attachment is what I declare it, I know you too well not to entertain the warmest hopes. Yes, dearest, sweetest Fanny. Nay" (seeing her draw back displeased), "forgive me. Perhaps I have as yet no right; but by what other name can I call you? Do you suppose you are ever present to my imagination under any other? No, it is 'Fanny' that I think of all day, and dream of all night. You have given the name such reality of sweetness, that nothing else can now be descriptive of you."

Fanny could hardly have kept her seat any longer,


Mansfield Park
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twelve Stories and a Dream by H. G. Wells:

and Keats--if she had been Shelley's widow she could not have professed a keener interest in his grave--was a matter of universal astonishment. Her dress was a triumph of tactful discretion, sensible, but not too "touristy"--Miss Winchelsea, had a great dread of being "touristy"-- and her Baedeker was carried in a cover of grey to hide its glaring red. She made a prim and pleasant little figure on the Charing Cross platform, in spite of her swelling pride, when at last the great day dawned, and she could start for Rome. The day was bright, the Channel passage would be pleasant, and all the omens promised well. There was the gayest sense of adventure in this unprecedented departure.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

ourselves never to abandon until the glorious object of our contest shall be obtained--we must fight! I repeat it, sir, we must fight! An appeal to arms and to the God of hosts is all that is left us!

They tell us, sir, that we are weak; unable to cope with so formidable an adversary. But when shall we be stronger? Will it be the next week, or the next year? Will it be when we are totally disarmed, and when a British guard shall be stationed in every house? Shall we gather strength but irresolution and inaction? Shall we acquire the means of effectual resistance by lying supinely on our backs and hugging the delusive phantom of hope, until our enemies shall have bound us hand and foot? Sir, we are not weak if we make a proper use of those means which the God of nature hath placed in our power.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

footways: "Special edition. Shocking murder of an M.P." That was the funeral oration of one friend and client; and he could not help a certain apprehension lest the good name of another should be sucked down in the eddy of the scandal. It was, at least, a ticklish decision that he had to make; and self-reliant as he was by habit, he began to cherish a longing for advice. It was not to be had directly; but perhaps, he thought, it might be fished for.

Presently after, he sat on one side of his own hearth, with Mr. Guest, his head clerk, upon the other, and midway between, at a nicely calculated distance from the fire, a bottle of a particular old wine that had long dwelt unsunned in the


The Strange Case of Dr. Jekyll and Mr. Hyde