Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Brothers by Honore de Balzac:

"What can I do?" asked Philippe.

"I have obtained a change of residence for you from Autun to Issoudun.--"

Philippe's sunken face, which had grown almost sinister in expression and was furrowed with sufferings and privation, instantly lighted up with a flash of joy.

"And, as I was saying, you alone can recover the inheritance of old Rouget's property; half of which may by this time be in the jaws of the wolf named Gilet," replied Desroches. "You now know all the particulars, and it is for you to act accordingly. I suggest no plan; I have no ideas at all as to that; besides, everything will depend on

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Padre Ignacio by Owen Wister:

Tancredi, Don Pasquale, La Vestale, dim lights in the fashions of to-day, sparkled upon the exploring Gaston, conjuring the radiant halls of Europe before him. "The Barber of Seville!" he presently exclaimed. "And I happened to hear it in Seville."

But Seville's name brought over the Padre a new rush of home thoughts. "Is not Andalusia beautiful?" he said. "Did you see it in April, when the flowers come?"

"Yes," said Gaston, among the music. "I was at Cordova then."

"Ah, Cordova!" murmured the Padre.

"Semiramide!" cried Gaston, lighting upon that opera. "That was a week!" I should like to live it over, every day and night of it!"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glasses by Henry James:

what they say. What SHE says is that she'll put on anything in nature when she's married, but that she must get married first. She has always meant to do everything as soon as she's married. Then and then only she'll be safe. How will any one ever look at her if she makes herself a fright? How could she ever have got engaged if she had made herself a fright from the first? It's no use to insist that with her beauty she can never BE a fright. She said to me this morning, poor girl, the most characteristic, the most harrowing things. 'My face is all I have--and SUCH a face! I knew from the first I could do anything with it. But I needed it all--I need it still, every exquisite inch of it. It isn't as if I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

I have shown the original of this photograph to twenty-three persons of both sexes and various ages; and thirteen immediately answered horror, great pain, torture, or agony; three answered extreme fright; so that sixteen answered nearly in accordance with Duchenne's belief. Six, however, said anger, guided no doubt, by the strongly contracted brows, and overlooking the peculiarly opened mouth. One said disgust. On the whole, the evidence indicates that we have here a fairly good representation of horror and agony. The photograph before referred to (Pl. VII. fig. 2) likewise exhibits horror; but in this the oblique eyebrows indicate great mental distress

Expression of Emotion in Man and Animals