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Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Unconscious Comedians by Honore de Balzac:

As they got into their citadine, Leon saw in a rapidly driven cabriolet a man to whom he made a sign that he had something to say to him.

"There's Publicola Masson," said Leon to Bixiou. "I'm going to ask for a sitting this evening at five o'clock, after the Chamber. The cousin shall then see the most curious of all the originals."

"Who is he?" asked Gazonal, while Leon went to speak to Publicola Masson.

"An artist-pedicure," replied Bixiou, "author of a 'Treatise on Corporistics,' who cuts your corns by subscription, and who, if the Republications triumph for six months, will assuredly become

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

loosen to be rid of. She went back to that hour before Adele had sent for her; and her senses kindled afresh in thinking of Robert's words, the pressure of his arms, and the feeling of his lips upon her own. She could picture at that moment no greater bliss on earth than possession of the beloved one. His expression of love had already given him to her in part. When she thought that he was there at hand, waiting for her, she grew numb with the intoxication of expectancy. It was so late; he would be asleep perhaps. She would awaken him with a kiss. She hoped he would be asleep that she might arouse him with her caresses.

Still, she remembered Adele's voice whispering, "Think of the


Awakening & Selected Short Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

certainly are; and I think if I steadily describe <188> them from the materials I have collected the last three days, I may perhaps hit on the points of difference."

"Why bother about points of difference?" asked Irais. "I should write some little thing, bringing in the usual parts of the picture, such as knees and toes, and make it mildly pathetic."

"But it is by no means an easy thing for me to do," said Minora plaintively; "I have so little experience of children."

"Then why write it at all?" asked that sensible person Elizabeth.

"I have as little experience as you," said Irais, "because I


Elizabeth and her German Garden
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lone Star Ranger by Zane Grey:

the fact of how fleeting must be his stay among friends.

"I've already fixed up a pack of grub," went on Jones. "I'll slip out to saddle your horse. You watch here."

He had scarcely uttered the last word when soft, swift footsteps sounded on the hard path. A man turned in at the gate. The light was dim, yet clean enough to disclose an unusually tall figure. When it appeared nearer he was seen to be walking with both arms raised, hands high. He slowed his stride.

"Does Burt Jones live here?" he asked, in a low, hurried voice.

"I reckon. I'm Burt. What can I do for you?" replied Jones.


The Lone Star Ranger