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Today's Stichomancy for Cary Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

the production.

'Understand me,' continued Van Tromp; 'I am a man of the world. And yet - once an artist always an artist. All of a sudden a thought takes me in the street; I become its prey: it's like a pretty woman; no use to struggle; I must - dash it off.'

'I see,' said Dick.

'Yes,' pursued the painter; 'it all comes easily, easily to me; it is not my business; it's a pleasure. Life is my business - life - this great city, Paris - Paris after dark - its lights, its gardens, its odd corners. Aha!' he cried,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Miracle Mongers and Their Methods by Harry Houdini:

various positions, he would bend his body backward till his head pointed toward the floor, and in that position push a nail through a one-inch board held perpendicularly in a metal frame. I saw no chance for trickery in Le Roy's act.

Another nail act was that of Alexander Weyer, who, either by superior strength or by a peculiar knack, could hold a nail between the middle fingers of his right hand with the head against the palm, and drive it through a one-inch board. But since this act did not


Miracle Mongers and Their Methods
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oedipus Trilogy by Sophocles:

[Exeunt OEDIPUS and JOCASTA]

CHORUS (Str. 1) My lot be still to lead The life of innocence and fly Irreverence in word or deed, To follow still those laws ordained on high Whose birthplace is the bright ethereal sky No mortal birth they own, Olympus their progenitor alone: Ne'er shall they slumber in oblivion cold,


Oedipus Trilogy
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

its advantage therein. By means of our semi-barbarity in body and in desire, we have secret access everywhere, such as a noble age never had; we have access above all to the labyrinth of imperfect civilizations, and to every form of semi-barbarity that has at any time existed on earth; and in so far as the most considerable part of human civilization hitherto has just been semi-barbarity, the "historical sense" implies almost the sense and instinct for everything, the taste and tongue for everything: whereby it immediately proves itself to be an IGNOBLE sense. For instance, we enjoy Homer once more: it is perhaps our happiest acquisition that we know how to appreciate Homer, whom men of distinguished


Beyond Good and Evil