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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Polly of the Circus by Margaret Mayo:

a laundry box, which held a little tan coat, that was to be Toby's contribution to the birthday surprise. He was big- hearted enough to be glad that Toby's gift seemed finer and more useful than his.

It was only when the "Leap of Death" act preceding Polly's turn was announced, that the big fellow gave up feasting his eyes on the satchel and coat, and hid them away in the big property trunk. She would be out in a minute, and these wonders were not to be revealed to her until the close of the night's performance.

Jim put down the lid of the trunk and sat upon it, feeling like a criminal because he was hiding something from Polly.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cromwell by William Shakespeare:

Accompanied with the Bishop of Winchester, Entreats you to come presently to Lambeth, On earnest matters that concerns the state.

BEDFORD. To Lambeth! so: go fetch me pen and ink. I and Lord Cromwell there shall talk enough; Aye, and our last, I fear, and if he come.

[He writes a letter.]

Here, take this letter, and bear it to Lord Cromwell. Bid him read it; say it concerns him near: Away, begone, make all the haste you can.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

All his hearers cried, "Iagoo! Here's Iagoo come among us!" He it was who carved the cradle Of the little Hiawatha, Carved its framework out of linden, Bound it strong with reindeer sinews; He it was who taught him later How to make his bows and arrows, How to make the bows of ash-tree, And the arrows of the oak-tree. So among the guests assembled

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

although the elements of adventure were streaming by him as thick as drops of water in the Thames, it was in vain that, now with a beseeching, now with something of a braggadocio air, he courted and provoked the notice of the passengers; in vain that, putting fortune to the touch, he even thrust himself into the way and came into direct collision with those of the more promising demeanour. Persons brimful of secrets, persons pining for affection, persons perishing for lack of help or counsel, he was sure he could perceive on every side; but by some contrariety of fortune, each passed upon his way without remarking the young gentleman, and went