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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Taming of the Shrew by William Shakespeare:

Father, be quiet; he shall stay my leisure.

GREMIO. Ay, marry, sir, now it begins to work.

KATHERINA. Gentlemen, forward to the bridal dinner: I see a woman may be made a fool, If she had not a spirit to resist.

PETRUCHIO. They shall go forward, Kate, at thy command. Obey the bride, you that attend on her; Go to the feast, revel and domineer,


The Taming of the Shrew
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Princess by Alfred Tennyson:

Best-natured?' 'Lady Psyche.' 'Hers are we,' One voice, we cried; and I sat down and wrote, In such a hand as when a field of corn Bows all its ears before the roaring East;

'Three ladies of the Northern empire pray Your Highness would enroll them with your own, As Lady Psyche's pupils.' This I sealed: The seal was Cupid bent above a scroll, And o'er his head Uranian Venus hung, And raised the blinding bandage from his eyes:

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lucile by Owen Meredith:

Golden wires may annoy us as much as steel bars If they keep us behind prison windows: impassion'd Her heart rose and burst the light cage she had fashion'd Out of glittering trifles around it.

Unknown To herself, all her instincts, without hesitation, Embraced the idea of self-immolation. The strong spirit in her, had her life been but blended With some man's whose heart had her own comprehended, All its wealth at his feet would have lavishly thrown. For him she had struggled and striven alone;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Animal Farm by George Orwell:

shrill crowing from the black cockerel, and out came Napoleon himself, majestically upright, casting haughty glances from side to side, and with his dogs gambolling round him.

He carried a whip in his trotter.

There was a deadly silence. Amazed, terrified, huddling together, the animals watched the long line of pigs march slowly round the yard. It was as though the world had turned upside-down. Then there came a moment when the first shock had worn off and when, in spite of everything-in spite of their terror of the dogs, and of the habit, developed through long years, of never complaining, never criticising, no matter what happened--they might have uttered some word of protest. But just at that moment, as


Animal Farm