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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the past or something you must release, and is drawn from Before Adam by Jack London:

years. But I am quite confident he could never have survived that terrible climate. And then, one day, the Fire People appeared again. They had come down the river, not on a catamaran, but in a rude dug-out. There were three of them that paddled in it, and one of them was the little wizened old hunter. They landed on our beach, and he limped across the sand and examined our caves.

They went away in a few minutes, but the Swift One was badly scared. We were all frightened, but none of us to the extent that she was. She whimpered and cried

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Deputy of Arcis by Honore de Balzac:

flattering to her vanity, which solved her doubts. A pretty sinner, she was told, who had come to Arcis to "do" Monsieur Keller the financier, then at Gondreville, out of some money, had heard of the virtues and the inexhaustible kindness of Mother Marie-des-Anges--in short, she regarded her, after Danton, as the most interesting object of the place, and deeply regretted that she dared not ask to be admitted to her presence.

An hour later the following note was left at the Hotel de la Poste:--

Mademoiselle,--I am told that you desire to see me, but that you do not know how to accomplish it. Nothing is easier. Ring the door-bell of my quiet house, ask to see me, and do not be alarmed

The third excerpt represents the future or something you must embrace, and is drawn from Dreams by Olive Schreiner:

colours richer and rarer, and painted more notable pictures. He painted his with one colour, there was a wonderful red glow on it; and the people went up and down, saying, "We like the picture, we like the glow."

The other artists came and said, "Where does he get his colour from?" They asked him; and he smiled and said, "I cannot tell you"; and worked on with his head bent low.

And one went to the far East and bought costly pigments, and made a rare colour and painted, but after a time the picture faded. Another read in the old books, and made a colour rich and rare, but when he had put it on the picture it was dead.

But the artist painted on. Always the work got redder and redder, and the