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Today's Stichomancy for Celine Dion

The first excerpt represents the past or something you must release, and is drawn from Betty Zane by Zane Grey:

in the long grass like a snake, to shoot from coverts, to worm his way stealthily through the dense woods and to ambush the paleface's trail. Horrible cruelties, such as torturing white prisoners and burning them at the stake never heard of before the war made upon the Indians by the whites.

Comparatively little is known of the real character of the Indian of that time. We ourselves sit before our warm fires and talk of the deeds of the redman. We while away an hour by reading Pontiac's siege of Detroit, of the battle of Braddock's fields, and of Custer's last charge. We lay the book down with a fervent expression of thankfulness that the day of the horrible redman is past. Because little has been written on the subject, no thought is given to the long years of deceit and treachery practiced upon Pontiac; we are


Betty Zane
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Memories and Portraits by Robert Louis Stevenson:

under the Shearer's Knowe, and makes one pool there, overhung by a rock, where I loved to sit and make bad verses, and is then kidnapped in its infancy by subterranean pipes for the service of the sea-beholding city in the plain. From many points in the moss you may see at one glance its whole course and that of all its tributaries; the geographer of this Lilliput may visit all its corners without sitting down, and not yet begin to be breathed; Shearer's Knowe and Halkerside are but names of adjacent cantons on a single shoulder of a hill, as names are squandered (it would seem to the in-expert, in superfluity) upon these upland sheepwalks; a bucket would receive the whole discharge of the toy river; it would

The third excerpt represents the future or something you must embrace, and is drawn from Return of the Native by Thomas Hardy:

would go far for such a husband. But do I desire unreasonably much in wanting what is called life-- music, poetry, passion, war, and all the beating and pulsing that are going on in the great arteries of the world? That was the shape of my youthful dream; but I did not get it. Yet I thought I saw the way to it in my Clym."

"And you only married him on that account?"

"There you mistake me. I married him because I loved him, but I won't say that I didn't love him partly because I thought I saw a promise of that life in him."

"You have dropped into your old mournful key."


Return of the Native