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Today's Stichomancy for Celine Dion

The first excerpt represents the past or something you must release, and is drawn from Master and Man by Leo Tolstoy:

open her box, took out her best clothes, snatched up an axe, and chopped all her undergarments and dresses to bits. All the wages Nikita earned went to his wife, and he raised no objection to that. So now, two days before the holiday, Martha had been twice to see Vasili Andreevich and had got from him wheat flour, tea, sugar, and a quart of vodka, the lot costing three rubles, and also five rubles in cash, for which she thanked him as for a special favour, though he owed Nikita at least twenty rubles.

'What agreement did we ever draw up with you?' said Vasili Andreevich to Nikita. 'If you need anything, take it; you will


Master and Man
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Inaugural Address by John F. Kennedy:

beyond doubt can we be certain beyond doubt that they will never be employed. But neither can two great and powerful groups of nations take comfort from our present course. . .both sides overburdened by the cost of modern weapons, both rightly alarmed by the steady spread of the deadly atom, yet both racing to alter that uncertain balance of terror that stays the hand of Mankind's final war.

So let us begin anew. . .remembering on both sides that civility is not a sign of weakness, and sincerity is always subject to proof. Let us never negotiate out of fear, but let us never fear to negotiate. Let both sides explore what problems unite us instead of belaboring those problems which divide us. Let both sides, for the first time,

The third excerpt represents the future or something you must embrace, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

taken place was incredible to him. And yet it was a fact. Was there some subtle affinity between the chemical atoms that shaped themselves into form and colour on the canvas and the soul that was within him? Could it be that what that soul thought, they realized?--that what it dreamed, they made true? Or was there some other, more terrible reason? He shuddered, and felt afraid, and, going back to the couch, lay there, gazing at the picture in sickened horror.

One thing, however, he felt that it had done for him. It had made him conscious how unjust, how cruel, he had been to Sibyl Vane. It was not too late to make reparation for that.


The Picture of Dorian Gray