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Today's Stichomancy for Charles Bronson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lost Princess of Oz by L. Frank Baum:

Even at the last, the Czarover tried to persuade them not to go near Ugu the Shoemaker, but they were resolved on the venture, and the next morning bade the friendly monarch a cordial goodbye and, mounting upon their animals, left the Herkus and the City of Herku and headed for the mountains that lay to the west.

CHAPTER 13

TRUTH POND

It seems a long time since we have heard anything of the Frogman and Cayke the Cookie Cook, who had left the Yip Country in search of the diamond-studded dishpan which had been mysteriously stolen the same night that Ozma had disappeared from the Emerald City.


The Lost Princess of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

everywhere pierced with holes made by a beautifully mottled and semi-diaphanous crab, with hairy legs, big staring eyes, and milk-white claws;--while in the green sedges beyond there is a perpetual rustling, as of some strong wind beating among reeds: a marvellous creeping of "fiddlers," which the inexperienced visitor might at first mistake for so many peculiar beetles, as they run about sideways, each with his huge single claw folded upon his body like a wing-case. Year by year that rustling strip of green land grows narrower; the sand spreads and sinks, shuddering and wrinkling like a living brown skin; and the last standing corpses of the oaks, ever clinging with naked, dead feet

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London:

of his command he returned with one man in ten. And in the picture she had of him, in the physical semblance she had made of him, was reflected his spiritual nature, reflected by her worshipful artistry in form and feature and expression--his bravery, his quick temper, his impulsive championship, his madness of wrath in a righteous cause, his warm generosity and swift forgiveness, and his chivalry that epitomized codes and ideals primitive as the days of knighthood. And first, last, and always, dominating all, she saw in the face of him the hot passion and quickness of deed that had earned for him the name "Fighting Dick Curtis."

"Let me put it to the test," she heard Mrs. Grantly saying;. "Let Miss Story try Planchette. There may be a further message."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Charmides and Other Poems by Oscar Wilde:

That all the chiding of more prudent Truth Seemed the thin voice of jealousy, - O hence Thou huntress deadlier than Artemis! Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough, - no more, no more, - Though Love himself should turn his gilded prow Back to the troubled waters of this shore Where I am wrecked and stranded, even now The chariot wheels of passion sweep too near, Hence! Hence! I pass unto a life more barren, more austere.

More barren - ay, those arms will never lean