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Today's Stichomancy for Charles Lindbergh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Woman and Labour by Olive Schreiner:

family and to society because of her mere fecundity. On the other hand, a few weeks back appeared an account in the London papers of an individual who, taken up at the East End for some brutal offence, blubbered out in court that she was the mother of twenty children. "You should be ashamed of yourself!" responded the magistrate; "a woman capable of such conduct would be capable of doing anything!" and the fine was remorselessly inflicted. Undoubtedly, if somewhat brutally, the magistrate yet gave true voice to the modern view on the subject of excessive and reckless child- bearing.)

Further, owing partly to the diminished demand for child-bearing, rising from the extreme difficulty and expense of rearing and education, and to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

maze. 'Come away,' pursued the father in a whisper; 'you need not be afraid of any consequences. I am a man of the world, Dick; and she can have no claim on you - no claim, I tell you; and we'll be handsome too, Dick - we'll give them a good round figure, father and daughter, and there's an end.'

He had been trying to get Dick towards the door, but the latter stood off.

'You had better take care, sir, how you insult that lady,' said the son, as black as night.

'You would not choose between your father and your mistress?' said the father.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

cheerful that she smiled as she looked at her husband, and allowed herself some little pleasantries of time-honored acceptance in such simple families. She wondered whether Joseph or Virginie were the taller, to ask them to compare their height. This preliminary fooling brought a cloud to the master's brow, and he even made such a point of decorum that he desired Augustine to take the assistant's arm on their way to Saint-Leu. Madame Guillaume, surprised at this manly delicacy, honored her husband with a nod of approval. So the procession left the house in such order as to suggest no suspicious meaning to the neighbors.

"Does it not seem to you, Mademoiselle Augustine," said the assistant,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

of eager intentness. I remember thinking what wonderful hands they were, true indexes of the man's character; broad, white, surgeonly hands; the fingers almost square at the tips. They were hands as different from those slender, nervous, unsteady, womanly hands of Peter Orme as any hands could be, I thought. They were hands made for work that called for delicate strength, if such a paradox could be; hands to cling to; to gain courage from; hands that spelled power and reserve. I looked at them, fascinated, as I often had done before, and thought that I never had seen such SANE hands.