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Today's Stichomancy for Charles Lindbergh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Figure in the Carpet by Henry James:

Gwendolen escaped unhurt.

I pass rapidly over the question of this unmitigated tragedy, of what the loss of my best friend meant for me, and I complete my little history of my patience and my pain by the frank statement of my having, in a postscript to my very first letter to her after the receipt of the hideous news, asked Mrs. Corvick whether her husband mightn't at least have finished the great article on Vereker. Her answer was as prompt as my question: the article, which had been barely begun, was a mere heartbreaking scrap. She explained that our friend, abroad, had just settled down to it when interrupted by her mother's death, and that then, on his return, he had been kept

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Atheist's Mass by Honore de Balzac:

all the sooner into what is called Paradise.'

"That, my dear fellow, is as much as a man who holds my opinions can allow himself. But God must be a good fellow; He cannot owe me any grudge. I swear to you, I would give my whole fortune if faith such as Bourgeat's could enter my brain."

Bianchon, who was with Desplein all through his last illness, dares not affirm to this day that the great surgeon died an atheist. Will not those who believe like to fancy that the humble Auvergnat came to open the gate of Heaven to his friend, as he did that of the earthly temple on whose pediment we read the words--"A grateful country to its great men."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Rivers by Henry van Dyke:

savage beauty of a world unmarred by man,

The river leaped, shouting, down its double stairway of granite, rejoicing like a strong man to run a race. The after-glow in the western sky deepened from saffron to violet among the tops of the cedars, and over the cliffs rose the moonlight, paling the heavens but glorifying the earth. There was something large and generous and untrammelled in the scene, recalling one of Walt Whitman's rhapsodies:--

"Earth of departed sunsets! Earth of the mountains misty-topped! Earth of the vitreous pour of the full moon just tinged with blue! Earth of shine and dark, mottling the tide of the river!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

moment the whole household believes me to be asleep in my room. In two days be at the same spot, say the same word to the same man. That man is my foster-father. Cristemio worships me, and would die in torments for me before they could extract one word against me from him. Farewell," she said seizing Henri by the waist and twining round him like a serpent.

She pressed him on every side at once, lifted her head to his, and offered him her lips, then snatched a kiss which filled them both with such a dizziness that it seemed to Henri as though the earth opened; and Paquita cried: "Enough, depart!" in a voice which told how little she was mistress of herself. But she clung to him still, still crying


The Girl with the Golden Eyes