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Today's Stichomancy for Charlie Chaplin

The first excerpt represents the past or something you must release, and is drawn from The Aspern Papers by Henry James:

she asked with her shrunken grimness.

"Ah well," said I, laughing, "I shall be in point of fact a protector and I will bring gold if you prefer."

"Thank you," the old woman returned with dignity and with an inclination of her head which evidently signified that I might depart. I passed out of the room, reflecting that it would not be easy to circumvent her. As I stood in the sala again I saw that Miss Tita had followed me, and I supposed that as her aunt had neglected to suggest that I should take a look at my quarters it was her purpose to repair the omission. But she made no such suggestion; she only stood there with a dim, though not a languid smile, and with an effect of irresponsible, incompetent youth

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fantastic Fables by Ambrose Bierce:

dignity he hastened to inform the King of Patagascar.

"Ah, yes, I understand," said the King; "you have been promoted and given increased pay and allowances. There was an appropriation?"

"Yes, your Majesty."

"And you have now two heads, have you not?"

"Oh, no, your Majesty - only one, I assure you."

"Indeed? And how many legs and arms?"

"Two of each, Sire - only two of each."

"And only one body?"

"Just a single body, as you perceive."

Thoughtfully removing his crown and scratching the royal head, the


Fantastic Fables
The third excerpt represents the future or something you must embrace, and is drawn from All's Well That Ends Well by William Shakespeare:

Which warp'd the line of every other favour; Scorned a fair colour, or express'd it stolen; Extended or contracted all proportions To a most hideous object: thence it came That she whom all men prais'd, and whom myself, Since I have lost, have lov'd, was in mine eye The dust that did offend it.

KING. Well excus'd: That thou didst love her, strikes some scores away From the great compt: but love that comes too late,