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Today's Stichomancy for Charlie Chaplin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

And welcomed kindly, Veiling, on roams it, Soft murmuring, Tow'rd the abyss.

Cliffs projecting Oppose its progress,-- Angrily foams it Down to the bottom, Step by step.

Now, in flat channel, Through the meadowland steals it,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Parmenides by Plato:

accordance with its own nature, its nature will require that it should come into being after the others, simultaneously with the end.

Clearly.

Then the one is younger than the others and the others older than the one.

That also is clear in my judgment.

Well, and must not a beginning or any other part of the one or of anything, if it be a part and not parts, being a part, be also of necessity one?

Certainly.

And will not the one come into being together with each part--together with the first part when that comes into being, and together with the second part and with all the rest, and will not be wanting to any part, which is

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Stories From the Old Attic by Robert Harris:

people, hired traders to go to distant lands to buy and sell, told his workers to redouble their efforts in his precious metals mines and minted more coins than ever. It wasn't long before the king had so many storehouses full of treasure that he couldn't even count them.

On many an occasion his majesty would be riding through a city and see a huge building he didn't recognize, and upon inquiry, discover that it was yet one more warehouse full of his loot. And let me tell you, these warehouses were so glutted with gold and jewels and coins and rich carpets and Old Master paintings and antique vases that when the king wanted to look inside one, the jewels would flow out the door like gravel and the coins would spill out like water.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Coxon Fund by Henry James:

never, never, never an exception, never, never, never an occasion for liberal acceptance, for clever charity, for suspended pedantry- -for letting one side, in short, outbalance another? When Miss Anvoy threw off this appeal I could have embraced her for so delightfully emphasising her unlikeness to Mrs. Saltram. "Why not have the courage of one's forgiveness," she asked, "as well as the enthusiasm of one's adhesion?"

"Seeing how wonderfully you've threshed the whole thing out," I evasively replied, "gives me an extraordinary notion of the point your enthusiasm has reached."

She considered this remark an instant with her eyes on mine, and I