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Today's Stichomancy for Charlie Chaplin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Legend of Montrose by Walter Scott:

As the strain proceeded, Allan M'Aulay gradually gave signs of recovering his presence of mind, and attention to the objects around him. The deep-knit furrows of his brow relaxed and smoothed themselves; and the rest of his features, which had seemed contorted with internal agony, relapsed into a more natural state. When he raised his head and sat upright, his countenance, though still deeply melancholy, was divested of its wildness and ferocity; and in its composed state, although by no means handsome, the expression of his features was striking, manly, and even noble. His thick, brown eyebrows, which had hitherto been drawn close together, were now slightly separated,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

(Acts 24:5.) In Philippi the townspeople cried that he troubled their city and taught customs which were not lawful for them to receive. (Acts 16:20, 21.)

All troubles, calamities, famines, wars were laid to the charge of the Gospel of the apostles. However, the apostles were not deterred by such calumnies from preaching the Gospel. They knew that they "ought to obey God rather than men," and that it was better for the world to be upset than to be ignorant of Christ.

Do you think for a moment that these reactions did not worry the apostles? They were not made of iron. They foresaw the revolutionary character of the Gospel. They also foresaw the dissensions that would creep into the Church. It was bad news for Paul when he heard that the Corinthians were

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

that, far beyond, are other rooms, the handles of whose doors perhaps are never turned; no one knows the way to them, no one knows whither they lead; and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes."

"And your husband," asked the Spirit, after a pause, "never got beyond the family sitting-room?"

"Never," she returned, impatiently; "and the worst of it was that he was quite content to remain there. He thought it perfectly beautiful, and sometimes, when he was admiring its commonplace furniture, insignificant as the chairs and tables of a hotel

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

it lays on "persecutions" and "false prophets"--things which were certainly not a source of trouble at the time Jesus is supposed to be speaking, though they were at a later time--as well as from the occurrence of the word "Gentiles," which being here used apparently in contra- distinction to "Christians" could not well be appropriate at a time when no recognized Christian bodies as yet existed.

But the most remarkable point in this connection is the absolute silence of the Gospel of Mark on the subject of the Resurrection and Ascension--that is, of the ORIGINAL Gospel, for it is now allowed on all hands that the twelve


Pagan and Christian Creeds