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Today's Stichomancy for Charlton Heston

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Europeans by Henry James:

his arm into Mr. Brand's and stepped out of the long window with him, the old man was left sitting there in unillumined perplexity.

Felix did no work that day. In the afternoon, with Gertrude, he got into one of the boats and floated about with idly-dipping oars. They talked a good deal of Mr. Brand--though not exclusively.

"That was a fine stroke," said Felix. "It was really heroic."

Gertrude sat musing, with her eyes upon the ripples. "That was what he wanted to be; he wanted to do something fine."

"He won't be comfortable till he has married us," said Felix. "So much the better."

"He wanted to be magnanimous; he wanted to have a fine moral pleasure.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrecker by Stevenson & Osbourne:

else but a lead-pencil and a kind of worked-out knife."

I looked in the bag, however, and was well rewarded.

"Every man to his trade, captain," said I. "You're a sailor, and you've given me plenty of points; but I am an artist, and allow me to inform you this is quite as strange as all the rest. The knife is a palette-knife; the pencil a Winsor and Newton, and a B B B at that. A palette-knife and a B B B on a tramp brig! It's against the laws of nature."

"It would sicken a dog, wouldn't it?" said Nares.

"Yes," I continued, "it's been used by an artist, too: see how it's sharpened--not for writing--no man could write with that. An

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Market-Place by Harold Frederic:

He yawned at the thought, and lighted a fresh cigar. All at once, his mind had become too indolent to do any more thinking. A shapeless impression that there would be a good many things to think over later on flitted into his brain and out again.

"Well, how are the mountains using you, now?" he called out to his niece.

"Oh, I could shake them!" she declared. "Listen to this: 'A view of singular beauty, embracing the greater part of the Lake of Geneva, and the surrounding mountains, is suddenly disclosed.' That's where we are now--or


The Market-Place
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

the supper-table was cleared and "readied up," and Mrs. Todd had put her large apron over her head and stepped forth for an evening stroll in the garden, the unexpected happened. She heard the sound of wheels, and gave an excited cry to me, as I sat by the window, that Mrs. Fosdick was coming right up the street.

"She may not be considerate, but she's dreadful good company," said Mrs. Todd hastily, coming back a few steps from the neighborhood of the gate. "No, she ain't a mite considerate, but there's a small lobster left over from your tea; yes, it's a real mercy there's a lobster. Susan Fosdick might just as well have passed the compliment o' comin' an hour ago."