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Today's Stichomancy for Charlton Heston

The first excerpt represents the past or something you must release, and is drawn from Les Miserables by Victor Hugo:

for me, for thee, Cosette! He carried me away through all the deaths which he put aside before me, and accepted for himself. Every courage, every virtue, every heroism, every sanctity he possesses! Cosette, that man is an angel!"

"Hush! hush!" said Jean Valjean in a low voice. "Why tell all that?"

"But you!" cried Marius with a wrath in which there was veneration, "why did you not tell it to me? It is your own fault, too. You save people's lives, and you conceal it from them! You do more, under the pretext of unmasking yourself, you calumniate yourself. It is frightful."

"I told the truth," replied Jean Valjean.


Les Miserables
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Midsummer Night's Dream by William Shakespeare:

And that same dew which somtime on the buds, Was wont to swell like round and orient pearles; Stood now within the pretty flouriets eyes, Like teares that did their owne disgrace bewaile. When I had at my pleasure taunted her, And she in milde termes beg'd my patience, I then did aske of her, her changeling childe, Which straight she gaue me, and her fairy sent To beare him to my Bower in Fairy Land. And now I haue the Boy, I will vndoe This hatefull imperfection of her eyes.


A Midsummer Night's Dream
The third excerpt represents the future or something you must embrace, and is drawn from Unconscious Comedians by Honore de Balzac:

remarkable for its ruinous simplicity.

"That is Carabine," said Bixiou, who gave her, as did Leon, a slight nod to which she responded by a smile.

"There's another who may possibly get your prefect turned out."

"A marcheuse!--but what is that?"

"A marcheuse is a rat of great beauty whom her mother, real or fictitious, has sold as soon as it was clear she would become neither first, second, nor third danseuse, but who prefers the occupation of coryphee to any other, for the main reason that having spent her youth in that employment she is unfitted for any other. She has been rejected at the minor theatres where they want danseuses; she has not