Today's Stichomancy for Che Guevara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Stories From the Old Attic by Robert Harris:

tiny portable television set and began to watch it. Just by chance, some visitors happened to come by and see the little box. They were very impressed and urged the traveler to market his invention for putting a movie inside such a small space.

In a few days, word had spread about this mini-movie and several scientists were convinced (after some debate) to come see it, together with some engineers representing the movie projector manufacturers of the nation.

They were sufficiently impressed as they watched a few scenes, but when the traveler changed channels, their enthusiasm turned to gaping astonishment. The traveler switched all around, showing

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Several Works by Edgar Allan Poe:

in the seven chambers there stalked, in fact, a multitude of dreams. And these--the dreams--writhed in and about taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away--they have endured but an instant--and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many tinted windows

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

defence. Suppose I got into trouble, where would you be? This second little matter flows clearly from the first. Mr. Gray is the continuation of Miss Galbraith. You can't begin and then stop. If you begin, you must keep on beginning; that's the truth. No rest for the wicked.'

A horrible sense of blackness and the treachery of fate seized hold upon the soul of the unhappy student.

'My God!' he cried, 'but what have I done? and when did I begin? To be made a class assistant - in the name of reason, where's the harm in that? Service wanted the position; Service might have got it. Would HE have been where I am

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Eryxias by Platonic Imitator:

argument, and do not think that the former discussion touched the point at issue, tell us whether you consider riches to be a good or an evil?

I am of opinion, he said, that they are a good. He was about to add something more, when Critias interrupted him:--Do you really suppose so, Eryxias?

Certainly, replied Eryxias; I should be mad if I did not: and I do not fancy that you would find any one else of a contrary opinion.

And I, retorted Critias, should say that there is no one whom I could not compel to admit that riches are bad for some men. But surely, if they were a good, they could not appear bad for any one?

Here I interposed and said to them: If you two were having an argument