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Today's Stichomancy for Che Guevara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe:

soldiers of the garrison if they would surrender, or quit the service; upon which the Lords Goring and Capel, and Sir Charles Lucas, returned an answer signed by their hands, that it was not honourable or agreeable to the usage of war to offer conditions separately to the soldiers, exclusive of their officers, and therefore civilly desired his lordship to send no more such messages or proposals, or if he did, that he would not take it ill if they hanged up the messenger.

This evening all the gentlemen volunteers, with all the horse of the garrison, with Sir Charles Lucas, Sir George Lisle, and Sir Bernard Gascoigne at the head of them, resolved to break through

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Scarlet Letter by Nathaniel Hawthorne:

familiar words and images. Their voices came down, afar and indistinctly, from the upper heights where they habitually dwelt. Not improbably, it was to this latter class of ms that Mr. Dimmesdale, by many of his traits of 172 THE SCARLET LETTER


The Scarlet Letter
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rezanov by Gertrude Atherton:

sweet briar, acres of lupins, purple and yellow. Al- together the ideal estate of a nobleman; and Reza- nov, who had liked nothing in California so well, gave his imagination rein and saw the counterpart of the castle of his ancestors rise in the deep shade of the trees.

Don Jose's house was a long rambling adobe, red tiled, with many bedrooms and one immense hall. Beyond were a chapel and a dozen outbuildings. Dinner was served in patriarchal style in the hall, the Commandante--or El padrone as he was known


Rezanov
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Paradise Lost by John Milton:

And left large field, unsafe within the wind Of such commotion; such as, to set forth Great things by small, if, nature's concord broke, Among the constellations war were sprung, Two planets, rushing from aspect malign Of fiercest opposition, in mid sky Should combat, and their jarring spheres confound. Together both with next to almighty arm Up-lifted imminent, one stroke they aimed That might determine, and not need repeat, As not of power at once; nor odds appeared


Paradise Lost