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Today's Stichomancy for Chris Elliott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

In the darkness of the blind.

R. L. S.

Letter: TO HENRY JAMES

APIA, DECEMBER 1893.

MY DEAR HENRY JAMES, - The mail has come upon me like an armed man three days earlier than was expected; and the Lord help me! It is impossible I should answer anybody the way they should be. Your jubilation over CATRIONA did me good, and still more the subtlety and truth of your remark on the starving of the visual sense in that book. 'Tis true, and unless I make the greater effort - and am, as a step to that, convinced of its necessity - it will be more

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

Patsy is miserable about it; miserable on account of the neighbors, and particularly miserable on account of her foreigners, of course; so miserable on their account that she hasn't any room to worry about her own little losses."

"It's the same old raider," said Wilson. "I suppose there isn't any doubt about that."

"Constable Blake doesn't think so."

"No, you're wrong there," said Blake. "The other times it was a man; there was plenty of signs of that, as we know, in the profession, thought we never got hands on him; but this time it's a woman."

Wilson thought of the mysterious girl straight off. She was always

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Bureaucracy by Honore de Balzac:

Modeste Mignon

La Billardiere, Athanase-Jean-Francois-Michel, Baron Flamet de The Chouans Cesar Birotteau

Laudigeois The Middle Classes

Louis XVIII., Louis-Stanislas-Xavier The Chouans The Seamy Side of History The Gondreville Mystery Scenes from a Courtesan's Life

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

corner of the room. Back of the stove a sleepy cat opened one indolent eye, yawned shamelessly, and rose to investigate, as is the way of cats. The windows were aglow with the sturdy potted plants that flower-loving German women coax into bloom. The low-ceilinged room twinkled and shone as the polished surfaces of tables and chairs reflected the rosy glow from the plethoric stove. I sank into the depths of a huge rocker that must have been built for Grosspapa Pflugel's generous curves. Alma Pflugel, in a chair opposite, politely waited for this new process of interviewing to begin, but relaxed in the