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Today's Stichomancy for Chris Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon:

by avoiding harshness of speech and act, so you will best avoid enraging a spirited horse by not annoying him. Thus, from the first instant, in the act of mounting him, you should take pains to minimise the annoyance; and once on his back you should sit quiet for longer than the ordinary time, and so urge him forward by the gentlest signs possible; next, beginning at the slowest pace, gradually work him into a quicker step, but so gradually that he will find himself at full speed without noticing it.[1] Any sudden signal will bewilder a spirited horse, just as a man is bewildered by any sudden sight or sound or other experience. [I say one should be aware that any unexpected shock will produce disturbance in a horse.][2]


On Horsemanship
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Essays & Lectures by Oscar Wilde:

but in their art, their poetry and their philosophy, seems so essentially normal, so free from all disturbing external influences, so peculiarly rational, that in following in the footsteps of time we shall really be progressing in the order sanctioned by reason.

CHAPTER II

AT an early period in their intellectual development the Greeks reached that critical point in the history of every civilised nation, when speculative invades the domain of revealed truth, when the spiritual ideas of the people can no longer be satisfied by the lower, material conceptions of their inspired writers, and when men

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Aspern Papers by Henry James:

She had expected to gather amusement from the drama of my intercourse with the Misses Bordereau, and she was disappointed that the intercourse, and consequently the drama, had not come off. "They'll lead you on to your ruin," she said before she left Venice. "They'll get all your money without showing you a scrap." I think I settled down to my business with more concentration after she had gone away.

It was a fact that up to that time I had not, save on a single brief occasion, had even a moment's contact with my queer hostesses. The exception had occurred when I carried them according to my promise the terrible three thousand francs.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

lofty and enshrouded figure of the lady Madeline of Usher. There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold,-- then, with a low moaning cry, fell heavily inward upon the person of her brother, and in her violent and now final death-agonies, bore him to the floor a corpse, and a victim to the terrors he had anticipated.

From that chamber, and from that mansion, I fled aghast. The storm was still abroad in all its wrath as I found myself crossing the old causeway. Suddenly there shot along the path a


The Fall of the House of Usher