Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Chris Rock

The first excerpt represents the past or something you must release, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

"This is your truth," cried he, "and this your affection! Your husband is just saved from eternal ruin, which he encountered for the love of you - and you can take no pleasure! Kokua, you have a disloyal heart."

He went forth again furious, and wandered in the town all day. He met friends, and drank with them; they hired a carriage and drove into the country, and there drank again. All the time Keawe was ill at ease, because he was taking this pastime while his wife was sad, and because he knew in his heart that she was more right than he; and the knowledge made him drink the deeper.

Now there was an old brutal Haole drinking with him, one that had

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Somebody's Little Girl by Martha Young:

That lady who was the little girl's Mama looked much as all the ladies looked.

``Are all Ladies Mamas?'' asked Bessie Bell.

She hoped the child who had brought the two rocks would not laugh, for Bessie Bell knew she would cry if she did.

The little girl did not laugh at all. She was trying so carefully to put the last rock on top of the stone chimney, she said: ``No, Bessie Bell: some are Mamas, and some are only just Ladies.''

There. There it was again: Only-Just-Ladies.

Bessie Bell wondered how to tell which were Mamas, and which were Ladies--just Ladies.

The third excerpt represents the future or something you must embrace, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

the tall thick rye. There was a pale light from the afterglow of sunset; a streak of light cut its way through a narrow, uncouth-looking cloud, which seemed sometimes like a boat and sometimes like a man wrapped in a quilt. . . .

I had driven a mile and a half, or two miles, when against the pale background of the evening glow there came into sight one after another some graceful tall poplars; a river glimmered beyond them, and a gorgeous picture suddenly, as though by magic, lay stretched before me. I had to stop the horse, for our straight road broke off abruptly and ran down a steep incline overgrown with bushes. We were standing on the hillside and


The Schoolmistress and Other Stories