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Today's Stichomancy for Chris Rock

The first excerpt represents the past or something you must release, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

in Portree Bay; but after suitable experiments, I pronounce authoritatively that man cannot live by tins alone. Fresh meat must be had on an occasion. It is true that the great Foss, driving by along the Geysers road, wooden-faced, but glorified with legend, might have been induced to bring us meat, but the great Foss could hardly bring us milk. To take a cow would have involved taking a field of grass and a milkmaid; after which it would have been hardly worth while to pause, and we might have added to our colony a flock of sheep and an experienced butcher.

It is really very disheartening how we depend on other people

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Apology by Plato:

thereupon I tried to explain to him that he thought himself wise, but was not really wise; and the consequence was that he hated me, and his enmity was shared by several who were present and heard me. So I left him, saying to myself, as I went away: Well, although I do not suppose that either of us knows anything really beautiful and good, I am better off than he is,-- for he knows nothing, and thinks that he knows; I neither know nor think that I know. In this latter particular, then, I seem to have slightly the advantage of him. Then I went to another who had still higher pretensions to wisdom, and my conclusion was exactly the same. Whereupon I made another enemy of him, and of many others besides him.

Then I went to one man after another, being not unconscious of the enmity

The third excerpt represents the future or something you must embrace, and is drawn from Some Reminiscences by Joseph Conrad:

answers; thoughts which had nothing to do with seamanship, nor yet with anything reasonable known to this earth. I verily believe that at times I was lightheaded in a sort of languid way. At last there fell a silence, and that, too, seemed to last for ages, while, bending over his desk, the examiner wrote out my pass-slip slowly with a noiseless pen. He extended the scrap of paper to me without a word, inclined his white head gravely to my parting bow. . .

When I got out of the room I felt limply flat, like a squeezed lemon, and the door-keeper in his glass cage, where I stopped to get my hat and tip him a shilling, said:


Some Reminiscences