Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Arizona Nights by Stewart Edward White:

"What's biting the locoed stranger?" the young man inquired of his neighbour. The other frowned at him darkly. "Dare's anyone to take the other end of that handkerchief in his teeth, and fight it out without letting go." "Nice joyful proposition," commented the young man.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Profits of Religion by Upton Sinclair:

thy neighbor's wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor anything that is thy neighbor's." I read this paragraph over for the first time in quite a while, and I came with a jolt to its last words. I had been intending to point out that it said nothing about a neighbor's automobile, nor a neighbor's oil wells, sugar trusts, insurance companies and savings banks. The last words, however, stop one off abruptly. One is almost tempted to imagine that the Divine Intelligence must have foreseen Dr. Abbott's ingenious method of interpretation, and taken this precaution against him. And this was a great surprise to me--for, truly, I had not supposed it

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

Walked together the ten sisters, Walked together with their husbands; Slowly followed old Osseo, With fair Oweenee beside him; All the others chatted gayly, These two only walked in silence. "At the western sky Osseo Gazed intent, as if imploring, Often stopped and gazed imploring At the trembling Star of Evening, At the tender Star of Woman;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Life in the Iron-Mills by Rebecca Davis:

that had never glared with hunger, and a hand that neither poverty nor strychnine-whiskey had taught to shake. In this morbid, distorted heart of the Welsh puddler he had failed.

Eighteen centuries ago, the Master of this man tried reform in the streets of a city as crowded and vile as this, and did not fail. His disciple, showing Him to-night to cultured hearers, showing the clearness of the God-power acting through Him, shrank back from one coarse fact; that in birth and habit the man Christ was thrown up from the lowest of the people: his flesh, their flesh; their blood, his blood; tempted like them, to brutalize day by day; to lie, to steal: the actual slime and


Life in the Iron-Mills