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Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Phoenix and the Turtle by William Shakespeare:

'Mongst our mourners shalt thou go.

Here the anthem doth commence: Love and constancy is dead; Phoenix and the turtle fled In a mutual flame from hence.

So they lov'd, as love in twain Had the essence but in one; Two distincts, division none: Number there in love was slain.

Hearts remote, yet not asunder; Distance, and no space was seen

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Elixir of Life by Honore de Balzac:

bedside, wearing a courtesan's bouquet, redolent of the fragrance of the banqueting-chamber and the fumes of wine.

"You were enjoying yourself!" the old man cried as he saw his son.

Even as he spoke the pure high notes of a woman's voice, sustained by the sound of the viol on which she accompanied her song, rose above the rattle of the storm against the casements, and floated up to the chamber of death. Don Juan stopped his ears against the barbarous answer to his father's speech.

"I bear you no grudge, my child," Bartolommeo went on.

The words were full of kindness, but they hurt Don Juan; he could

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pericles by William Shakespeare:

done as I command you.

BOULT. Performance shall follow.

[Exit.

MARINA. Alack that Leonine was so slack, so slow! He should have struck, not spoke; or that these pirates, Not enough barbarous, had not o'erboard thrown me For to seek my mother!

BARD. Why lament you, pretty one?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

"Ah! sire, you are too great a king! there is no sum that can pay for your justice."

Louis XI. smiled. The courtiers envied the frank speech and privileges of the old silversmith, who promptly disappeared down the avenue of young mulberries which led from Tours to Plessis.

Exhausted with fatigue, the young seigneur had indeed fallen soundly asleep. Returning from his gallant adventure, he no longer felt the same ardor and courage to defend himself against distant or imaginary dangers with which he had rushed into the perils of the night. He had even postponed till the morrow the cleaning of his soiled garments; a great blunder, in which all else conspired. It was true that, lacking