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Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

The prince with half-closed eyes marked the swelling lines of her bosom with an air of connoisseurship, while the Marquis de Chouard wagged his head involuntarily. Muffat gazed at the carpet in order not to see any more. At length Venus, with only her gauze veil over her shoulders, was ready to go on the stage. Mme Jules, with vacant, unconcerned eyes and an expression suggestive of a little elderly wooden doll, still kept circling round her. With brisk movements she took pins out of the inexhaustible pincushion over her heart and pinned up Venus' tunic, but as she ran over all those plump nude charms with her shriveled hands, nothing was suggested to her. She was as one whom her sex does not concern.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Agesilaus by Xenophon:

counter-march against them. The Thebans on their side, seeing that their allies had scattered on Helicon, and eager to make their way back to join their friends, began advancing sturdily.

[7] Lit. "a stade."

[8] Lit. "three plethra."

To assert that Agesilaus at this crisis displayed real valour is to assert a thing indisputable, but for all that the course he adopted was not the safest. It was open to him to let the enemy pass in their effort to rejoin their friends, and that done to have hung upon their heels and overmastered their rear ranks, but he did nothing of the sort: what he did was, to crash front to front against the Thebans.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from War of the Worlds by H. G. Wells:

tion Army, gesticulating with his crooked fingers and bawling, "Eternity! Eternity!" His voice was hoarse and very loud so that my brother could hear him long after he was lost to sight in the dust. Some of the people who crowded in the carts whipped stupidly at their horses and quarrelled with other drivers; some sat motionless, staring at nothing with miserable eyes; some gnawed their hands with thirst, or lay prostrate in the bottoms of their conveyances. The horses" bits were covered with foam, their eyes bloodshot.

There were cabs, carriages, shop cars, waggons, beyond counting; a mail cart, a road-cleaner's cart marked "Vestry of


War of the Worlds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

the enclosure of common lands at Wellcome. The explanation is, not a general deficiency in his mind, but the simple fact that in his day what English land needed was individual appropriation and cultivation, and what the English Constitution needed was the incorporation of Whig principles of individual liberty.

Shakespear and the British Public

I have rejected Mr Harris's view that Shakespear died broken-hearted of "the pangs of love despised." I have given my reasons for believing that Shakespear died game, and indeed in a state of levity which would have been considered unbecoming in a bishop. But Mr Harris's evidence does prove that Shakespear had a grievance and a