| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: The prince with half-closed eyes marked the swelling lines of her
bosom with an air of connoisseurship, while the Marquis de Chouard
wagged his head involuntarily. Muffat gazed at the carpet in order
not to see any more. At length Venus, with only her gauze veil over
her shoulders, was ready to go on the stage. Mme Jules, with
vacant, unconcerned eyes and an expression suggestive of a little
elderly wooden doll, still kept circling round her. With brisk
movements she took pins out of the inexhaustible pincushion over her
heart and pinned up Venus' tunic, but as she ran over all those
plump nude charms with her shriveled hands, nothing was suggested to
her. She was as one whom her sex does not concern.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Agesilaus by Xenophon: counter-march against them. The Thebans on their side, seeing that
their allies had scattered on Helicon, and eager to make their way
back to join their friends, began advancing sturdily.
[7] Lit. "a stade."
[8] Lit. "three plethra."
To assert that Agesilaus at this crisis displayed real valour is to
assert a thing indisputable, but for all that the course he adopted
was not the safest. It was open to him to let the enemy pass in their
effort to rejoin their friends, and that done to have hung upon their
heels and overmastered their rear ranks, but he did nothing of the
sort: what he did was, to crash front to front against the Thebans.
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