| The first excerpt represents the past or something you must release, and is drawn from Fairy Tales by Hans Christian Andersen: Amongst other things they spoke of the middle ages: some praised that period
as far more interesting, far more poetical than our own too sober present;
indeed Councillor Knap defended this opinion so warmly, that the hostess
declared immediately on his side, and both exerted themselves with unwearied
eloquence. The Councillor boldly declared the time of King Hans to be the
noblest and the most happy period.*
* A.D. 1482-1513
While the conversation turned on this subject, and was only for a moment
interrupted by the arrival of a journal that contained nothing worth reading,
we will just step out into the antechamber, where cloaks, mackintoshes,
sticks, umbrellas, and shoes, were deposited. Here sat two female figures, a
Fairy Tales |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Herland by Charlotte Gilman: been stripped and washed and put to bed like so many yearling
babies--by these highly civilized women."
Jeff actually blushed. He had a poetic imagination. Terry had
imagination enough, of a different kind. So had I, also different.
I always flattered myself I had the scientific imagination, which,
incidentally, I considered the highest sort. One has a right to a
certain amount of egotism if founded on fact--and kept to one's
self--I think.
"No use kicking, boys," I said. "They've got us, and apparently
they're perfectly harmless. It remains for us to cook up some plan
of escape like any other bottled heroes. Meanwhile we've got to put
Herland |
The third excerpt represents the future or something you must embrace, and is drawn from The Recruit by Honore de Balzac: mixed society, without humiliating the touchy pride of the parvenus,
or shocking that of her own friends.
Then about thirty-eight years of age, she still preserved, not the
fresh plump beauty which distinguishes the daughters of Lower
Normandy, but a fragile and, so to speak, aristocratic beauty. Her
features were delicate and refined, her figure supple and easy. When
she spoke, her pale face lighted and seemed to acquire fresh life. Her
large dark eyes were full of affability and kindness, and yet their
calm, religious expression seemed to say that the springs of her
existence were no longer in her.
Married in the flower of her age to an old and jealous soldier, the
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