| The first excerpt represents the past or something you must release, and is drawn from Master and Man by Leo Tolstoy: 'Anyhow it will be warmer, silly!' he said, putting back the
breechband and the pad on the horse over the drugget. Then
having finished that business he returned to the sledge, and
addressing Vasili Andreevich, said: 'You won't need the
sackcloth, will you? And let me have some straw.'
And having taken these things from under Vasili Andreevich,
Nikita went behind the sledge, dug out a hole for himself in
the snow, put straw into it, wrapped his coat well round him,
covered himself with the sackcloth, and pulling his cap well
down seated himself on the straw he had spread, and leant
against the wooden back of the sledge to shelter himself from
 Master and Man |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Profits of Religion by Upton Sinclair: you all And beat you as the bible saith for breaking of your
Rule.
Another step through history, and in the early part of the
sixteenth century here is Simon Fish, addressing King Henry the
Eighth, in the "Supplicacyon for the Beggars", complaining of the
"strong, puissant and counterfeit holy and ydell" which "are now
increased under your sight, not only into a great nombre, but
ynto a kingdome."
They have begged so importunatly that they have gotten ynto their
hondes more than a therd part of all youre Realme. The goodliest
lordshippes, maners, londes, and territories, are theyres.
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The third excerpt represents the future or something you must embrace, and is drawn from A Prince of Bohemia by Honore de Balzac: lovers and what lovers! Picture to yourself Lovelace, and Henri
Quatre, and the Regent, and Werther, and Saint-Preux, and Rene, and
the Marechal de Richelieu--think of all these in a single man, and you
will have some idea of their way of love. What lovers! Eclectic of all
things in love, they will serve up a passion to a woman's order; their
hearts are like a bill of fare in a restaurant. Perhaps they have
never read Stendhal's /De l'Amour/, but unconsciously they put it in
practice. They have by heart their chapters--Love-Taste, Love-Passion,
Love-Caprice, Love-Crystalized, and more than all, Love-Transient. All
is good in their eyes. They invented the burlesque axiom, 'In the
sight of man, all women are equal.' The actual text is more vigorously
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