| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from King Henry VI by William Shakespeare: For bearing arms, for stirring up my subjects,
And all the trouble thou hast turn'd me to?
PRINCE.
Speak like a subject, proud, ambitious York!
Suppose that I am now my father's mouth;
Resign thy chair, and where I stand kneel thou,
Whilst I propose the selfsame words to thee
Which, traitor, thou wouldst have me answer to.
QUEEN MARGARET.
Ah, thy father had been so resolv'd!
GLOSTER.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tin Woodman of Oz by L. Frank Baum: of a giant chair, and then to its back and with a wild
leap sprang upon the laughing Giantess. His idea was to
seize her hair and pull it out by the roots, and so
have revenge for her wicked transformations. But she
raised her hand and said:
"Gently, my dear Monkey -- gently! You're not angry;
you're happy as can be!"
Woot stopped short. No; he wasn't a bit angry now; he
felt as good-humored and gay as ever he did when a boy.
Instead of pulling Mrs. Yoop's hair, he perched on her
shoulder and smoothed her soft cheek with his hairy
 The Tin Woodman of Oz |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Damnation of Theron Ware by Harold Frederic: "It isn't five o'clock; it'll be dark for nearly an hour yet.
Just you turn over, and have another nap. He's all right.
I put him on the sofa, with the buffalo robe round him.
You'll find him there, safe and sound, when it's time
for white folks to get up. You know how it breaks you up
all day, not to get your full sleep."
"I don't care if it makes me look as old as the everlasting hills,"
she said. "Can't you understand, Soulsby? The thing
worries me--gets on my nerves. I couldn't close an eye,
if I tried. I took a great fancy to that young man.
I told you so at the time."
 The Damnation of Theron Ware |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson: death of the most unpopular man in Samoa, who broke his neck at the
descent of Magagi, from the misconduct of his little raving lunatic
of an old beast of a pony. It is proposed to commemorate the
incident by the erection of a suitable pile. The design (by our
local architect, Mr. Walker) is highly artificial, with a rich and
voluminous Crockett at each corner, a small but impervious Barrieer
at the entrance, an arch at the top, an Archer of a pleasing but
solid character at the bottom; the colour will be genuine William-
Black; and Lang, lang may the ladies sit wi' their fans in their
hands.' Well, well, they may sit as they sat for me, and little
they'll reck, the ungrateful jauds! Muckle they cared about
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