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Today's Stichomancy for Chuck Yeager

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Story of an African Farm by Olive Schreiner:

bedroom without the companionship of one of those things that were having their brains slowly diluted and squeezed out of them. I did not learn music, because I had no talent; and when the drove made cushions, and hideous flowers that the roses laugh at, and a footstool in six weeks that a machine would have made better in five minutes, I went to my room. With the money saved from such work I bought books and newspapers, and at night I sat up. I read, and epitomized what I read; and I found time to write some plays, and find out how hard it is to make your thoughts look anything but imbecile fools when you paint them with ink and paper. In the holidays I learnt a great deal more. I made acquaintances, saw a few places and many people, and some different ways of living, which is more than any

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

though, you bet. However, it doesn't concern me, and indeed, all I know is that if the countess indulges in high jinks she's still pretty sly about it, for the thing never gets about--nobody talks."

Then although Fauchery did not take the trouble to question him, he told him all he knew about the Muffats. Amid the conversation of the ladies, which still continued in front of the hearth, they both spoke in subdued tones, and, seeing them there with their white cravats and gloves, one might have supposed them to be discussing in chosen phraseology some really serious topic. Old Mme Muffat then, whom La Faloise had been well acquainted with, was an insufferable old lady, always hand in glove with the priests. She had the grand

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Breaking Point by Mary Roberts Rinehart:

trembling of his hands Bassett would have thought him calm and even placid.

During the recital that followed somewhat later David did not move. He sat silent, his eyes closed, his face set.

"That's about all," Bassett finished. "He had been perfectly clear in his head all day, and it took headwork to get over the pass. But, as I say, he had simply dropped ten years, and was back to the Lucas trouble. I tried everything I knew, used your name and would have used the young lady's, because sometimes that sort of thing strikes pretty deep, but I didn't know it. He was convinced after a while, but he was dazed, of course. He knew it, that is, but he couldn't


The Breaking Point
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

this house."

Molineux was so ready to lend himself to any one who would listen to him, and so delighted by du Tillet's attentive manner, that he gave a sketch of his life, related his habits and customs, told the improper conduct of the Sieur Gendrin, and, finally, explained all his arrangements with the perfumer, without which, he said, the ball could not have been given.

"Ah! Monsieur Cesar let you settle the lease?" said du Tillet. "It is contrary to his habits."

"Oh! I asked it of him. I am good to my tenants."

"If Pere Birotteau fails," thought du Tillet, "this little imp would


Rise and Fall of Cesar Birotteau