Today's Stichomancy for Chuck Yeager

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Misalliance by George Bernard Shaw:

England. What would you do with me in Jinghiskahn if you had me there?

LORD SUMMERHAYS. Well, since you ask me so directly, I'll tell you. I should take advantage of the fact that you have neither sense enough nor strength enough to know how to behave yourself in a difficulty of any sort. I should warn an intelligent and ambitious policeman that you are a troublesome person. The intelligent and ambitious policeman would take an early opportunity of upsetting your temper by ordering you to move on, and treading on your heels until you were provoked into obstructing an officer in the discharge of his duty. Any trifle of that sort would be sufficient to make a man like you lose your

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Collection of Beatrix Potter by Beatrix Potter:

Mr. Tod turned his back towards the bed, and undid the window. It creaked; he turned round with a jump. Tommy Brock, who had opened one eye--shut it hastily. The snores continued.

Mr. Tod's proceedings were peculiar, and rather uneasy, (because the bed was between the window and the door of the bedroom). He opened the window a little way, and pushed

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Euthyphro by Plato:

SOCRATES: And what is your suit, Euthyphro? are you the pursuer or the defendant?

EUTHYPHRO: I am the pursuer.

SOCRATES: Of whom?

EUTHYPHRO: You will think me mad when I tell you.

SOCRATES: Why, has the fugitive wings?

EUTHYPHRO: Nay, he is not very volatile at his time of life.

SOCRATES: Who is he?

EUTHYPHRO: My father.

SOCRATES: Your father! my good man?

EUTHYPHRO: Yes.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Far From the Madding Crowd by Thomas Hardy:

shepherd, but had laid himself out for anything in the whole cycle of labour that was required in the fair. It grew dusk. Some merry men were whistling and singing by the corn-exchange. Gabriel's hand, which had lain for some time idle in his smock-frock pocket, touched his flute which he carried there. Here was an opportunity for putting his dearly bought wisdom into practice. He drew out his flute and began to play "Jockey to the Fair" in the style of a man who had never known moment's sorrow. Oak could pipe with Arcadian

Far From the Madding Crowd