Today's Stichomancy for Chuck Yeager
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Story of an African Farm by Olive Schreiner: bedroom without the companionship of one of those things that were having
their brains slowly diluted and squeezed out of them. I did not learn
music, because I had no talent; and when the drove made cushions, and
hideous flowers that the roses laugh at, and a footstool in six weeks that
a machine would have made better in five minutes, I went to my room. With
the money saved from such work I bought books and newspapers, and at night
I sat up. I read, and epitomized what I read; and I found time to write
some plays, and find out how hard it is to make your thoughts look anything
but imbecile fools when you paint them with ink and paper. In the holidays
I learnt a great deal more. I made acquaintances, saw a few places and
many people, and some different ways of living, which is more than any
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: though, you bet. However, it doesn't concern me, and indeed, all I
know is that if the countess indulges in high jinks she's still
pretty sly about it, for the thing never gets about--nobody talks."
Then although Fauchery did not take the trouble to question him, he
told him all he knew about the Muffats. Amid the conversation of
the ladies, which still continued in front of the hearth, they both
spoke in subdued tones, and, seeing them there with their white
cravats and gloves, one might have supposed them to be discussing in
chosen phraseology some really serious topic. Old Mme Muffat then,
whom La Faloise had been well acquainted with, was an insufferable
old lady, always hand in glove with the priests. She had the grand
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Breaking Point by Mary Roberts Rinehart: trembling of his hands Bassett would have thought him calm and even
placid.
During the recital that followed somewhat later David did not move.
He sat silent, his eyes closed, his face set.
"That's about all," Bassett finished. "He had been perfectly clear
in his head all day, and it took headwork to get over the pass. But,
as I say, he had simply dropped ten years, and was back to the Lucas
trouble. I tried everything I knew, used your name and would have
used the young lady's, because sometimes that sort of thing strikes
pretty deep, but I didn't know it. He was convinced after a while,
but he was dazed, of course. He knew it, that is, but he couldn't
 The Breaking Point |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac: this house."
Molineux was so ready to lend himself to any one who would listen to
him, and so delighted by du Tillet's attentive manner, that he gave a
sketch of his life, related his habits and customs, told the improper
conduct of the Sieur Gendrin, and, finally, explained all his
arrangements with the perfumer, without which, he said, the ball could
not have been given.
"Ah! Monsieur Cesar let you settle the lease?" said du Tillet. "It is
contrary to his habits."
"Oh! I asked it of him. I am good to my tenants."
"If Pere Birotteau fails," thought du Tillet, "this little imp would
 Rise and Fall of Cesar Birotteau |
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