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Today's Stichomancy for Claire Forlani

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maid Marian by Thomas Love Peacock:

and Little John, having attached them to three blunt arrows, saddled the fleetest steed in old Sir Guy of Gamwell's stables, mounted, and rode first to Arlingford Castle, where he shot one of the three arrows over the battlements; then to Rubygill Abbey, where he shot the second into the abbey-garden; then back past Gamwell-Hall to the borders of Sherwood Forest, where he shot the third into the wood. Now the first of these arrows lighted in the nape of the neck of Lord Fitzwater, and lodged itself firmly between his skin and his collar; the second rebounded with the hollow vibration of a drumstick from the shaven sconce of the abbot of Rubygill; and the third pitched perpendicularly into the centre of a venison pasty in which Robin Hood was making incision.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Commission in Lunacy by Honore de Balzac:

varnished mahogany; at the height of a man's shoulders the wall had a coat of dark, indescribable color, given to it by the rags and tattered clothes of these poor creatures. The poor wretches loved Popinot so well that when they assembled before his door was opened, before daybreak on a winter's morning, the women warming themselves with their foot-brasiers, the men swinging their arms for circulation, never a sound had disturbed his sleep. Rag-pickers and other toilers of the night knew the house, and often saw a light burning in the lawyer's private room at unholy hours. Even thieves, as they passed by, said, "That is his house," and respected it. The morning he gave to the poor, the mid-day hours to criminals, the evening to law work.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Woman of No Importance by Oscar Wilde:

HESTER. I was wrong. God's law is only Love.

MRS. ARBUTHNOT. [Rises, and taking HESTER by the hand, goes slowly over to where GERALD is lying on the sofa with his head buried in his hands. She touches him and he looks up.] Gerald, I cannot give you a father, but I have brought you a wife.

GERALD. Mother, I am not worthy either of her or you.

MRS. ARBUTHNOT. So she comes first, you are worthy. And when you are away, Gerald . . . with . . . her - oh, think of me sometimes. Don't forget me. And when you pray, pray for me. We should pray when we are happiest, and you will be happy, Gerald.

HESTER. Oh, you don't think of leaving us?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Betty Zane by Zane Grey:

side--the abyss. Without a moment's hesitation the intrepid Major spurred his horse at the precipice. Never shall I forget that thrilling moment. The three hundred savages were silent as they realized the Major's intention. Those in the fort watched with staring eyes. A few bounds and the noble steed reared high on his hind legs. Outlined by the clear blue sky the magnificent animal stood for one brief instant, his black mane flying in the wind, his head thrown up and his front hoofs pawing the air like Marcus Curtius' mailed steed of old, and then down with a crash, a cloud of dust, and the crackling of pine limbs. A long yell went up from the Indians below, while those above ran to the edge of the cliff. With cries of wonder and baffled vengeance they gesticulated toward the dark ravine into which horse and rider had plunged


Betty Zane