| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Amy Foster by Joseph Conrad: fourd Hill, he beheld the sea lying open to his view,
his eyes roamed afar, lost in an air of wild surprise,
as though he had never seen such a sight before.
And probably he had not. As far as I could make
out, he had been hustled together with many others
on board an emigrant-ship lying at the mouth of
the Elbe, too bewildered to take note of his sur-
roundings, too weary to see anything, too anxious
to care. They were driven below into the 'tween-
deck and battened down from the very start. It
was a low timber dwelling--he would say--with
 Amy Foster |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Little Women by Louisa May Alcott: dolls, or something else, at recess. If one girl likes another,
she gives her a lime. If she's mad with her, she eats one before
her face, and doesn't offer even a suck. They treat by turns,
and I've had ever so many but haven't returned them, and I ought
for they are debts of honor, you know."
"How much will pay them off and restore your credit?" asked
Meg, taking out her purse."
"A quarter would more than do it, and leave a few cents over
for a treat for you. Don't you like limes?"
"Not much. You may have my share. Here's the money. Make it
last as long as you can, for it isn't very plenty, you know."
 Little Women |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson: two of Scott's novels, Shakespeare, Moliere, Montaigne, THE EGOIST,
and the VICOMTE DE BRAGELONNE, form the inner circle of my
intimates. Behind these comes a good troop of dear acquaintances;
THE PILGRIM'S PROGRESS in the front rank, THE BIBLE IN SPAIN not
far behind. There are besides a certain number that look at me
with reproach as I pass them by on my shelves: books that I once
thumbed and studied: houses which were once like home to me, but
where I now rarely visit. I am on these sad terms (and blush to
confess it) with Wordsworth, Horace, Burns and Hazlitt. Last of
all, there is the class of book that has its hour of brilliancy -
glows, sings, charms, and then fades again into insignificance
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Burning Daylight by Jack London: a bite to eat."
"But you haven't answered my questions," she reproached him, as
she emerged, rosy and radiant, from the embrace that had
accompanied the culmination of his narrative.
"Now just what do you want to know?" he asked.
"I want to know how all this is possible? How you are able to
leave your business at a time like this? What you meant by
saying that something was going to happen quickly? I--" She
hesitated and blushed. "I answered your question, you know."
"Let's go and get married," he urged, all the whimsicality of his
utterance duplicated in his eyes. "You know I've got to make way
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