| The first excerpt represents the past or something you must release, and is drawn from Flame and Shadow by Sara Teasdale: Can I ever know you
Or you know me?
In a Hospital
IV
Open Windows
Out of the window a sea of green trees
Lift their soft boughs like the arms of a dancer,
They beckon and call me, "Come out in the sun!"
But I cannot answer.
I am alone with Weakness and Pain,
Sick abed and June is going,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Poems by T. S. Eliot: I should have been a pair of ragged claws
Scuttling across the doors of silent seas.
. . . . . . . . .
And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep ... tired ... or it malingers.
Stretched on on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald)
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The third excerpt represents the future or something you must embrace, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx: an adept at witchcraft. Universal suffrage seems to have survived only
for a moment, to the end that, before the eyes of the whole world, it
should make its own testament with its own hands, and, in the name of
the people, declare: "All that exists deserves to perish."
It is not enough to say, as the Frenchmen do, that their nation was
taken by surprise. A nation, no more than a woman, is excused for the
unguarded hour when the first adventurer who comes along can do violence
to her. The riddle is not solved by such shifts, it is only formulated
in other words. There remains to be explained how a nation of
thirty-six millions can be surprised by three swindlers, and taken to
prison without resistance.
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