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Today's Stichomancy for Coco Chanel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wrong Box by Stevenson & Osbourne:

his fingers closed upon the unfamiliar smoothness of a shaven chin; and with that, hope and courage (if such expressions could ever have been appropriate in the case of Pitman) conjointly fled. He shook Michael roughly. 'Wake up!' he cried, with genuine irritation in his tones. 'I cannot do it, and you know I can't.'

'You must excuse my friend,' said Michael; 'he's no hand as a narrator of stirring incident. The case is simple,' he went on. 'My friend is a man of very strong passions, and accustomed to a simple, patriarchal style of life. You see the thing from here: unfortunate visit to Europe, followed by unfortunate acquaintance with sham foreign count, who has a lovely daughter. Mr Thomas was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Symposium by Xenophon:

[80] Or, "they take good care to get out of my way," "they hold aloof from me entirely."

[81] Or, "produce the family-pedigree and claim me for a cousin." Cf. Lucian v., "Tim." 49; Ter. "Phorm." ii. 33, 45.

Charm. Well, well! and you, sir (turning to the Syracusan), what do you pride yourself upon? No doubt, upon the boy?

The Syr. Not I, indeed; I am terribly afraid concerning him. It is plain enough to me that certain people are contriving for his ruin.[82]

[82] {diaphtheirai} = (1) to destroy, make away with; (2) to ruin and corrupt, seduce by bribes or otherwise.


The Symposium
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ozma of Oz by L. Frank Baum:

time; but there's no breakfast."

"You may have my egg," said the yellow hen. "I don't care for it, you know."

"Don't you want to hatch it?" asked the little girl, in surprise.

"No, indeed; I never care to hatch eggs unless I've a nice snug nest, in some quiet place, with a baker's dozen of eggs under me. That's thirteen, you know, and it's a lucky number for hens. So you may as well eat this egg."

"Oh, I couldn't POSS'BLY eat it, unless it was cooked," exclaimed Dorothy. "But I'm much obliged for your kindness, just the same."

"Don't mention it, my dear," answered the hen, calmly, and began


Ozma of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Arrow of Gold by Joseph Conrad:

the foot of the couch. "Or rather it isn't thinking, it is more like the consciousness of you always being present in me, complete to the last hair, to the faintest shade of expression, and that not only when we are apart but when we are together, alone, as close as this. I see you now lying on this couch but that is only the insensible phantom of the real you that is in me. And it is the easier for me to feel this because that image which others see and call by your name - how am I to know that it is anything else but an enchanting mist? You have always eluded me except in one or two moments which seem still more dream-like than the rest. Since I came into this room you have done nothing to destroy my conviction


The Arrow of Gold