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Today's Stichomancy for Coco Chanel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Agent by Joseph Conrad:

strides he opened the door deliberately, and leaped out.

He had leaped out at the very end of the platform; and such was his determination in sticking to his desperate plan that he managed by a sort of miracle, performed almost in the air, to slam to the door of the carriage. Only then did he find himself rolling head over heels like a shot rabbit. He was bruised, shaken, pale as death, and out of breath when he got up. But he was calm, and perfectly able to meet the excited crowd of railway men who had gathered round him in a moment. He explained, in gentle and convincing tones, that his wife had started at a moment's notice for Brittany to her dying mother; that, of course, she was greatly up-set, and


The Secret Agent
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Crisis in Russia by Arthur Ransome:

regiments, to control in other than technical matters the doings of the specialists. On the other hand, it was said that the appointment of Commissars would tend to make Communists unpopular, since inevitably in many cases they would have to support the specialists against the workmen, and that the collegiate system made the workmen feel that they were actually the masters, and so gave possibilities of enthusiastic work not otherwise obtainable. This last point was hotly challenged. It was said that collegiate control meant little in effect, except waste of time and efficiency, because at worst work was delayed by disputes and at best

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tom Grogan by F. Hopkinson Smith:

pie when it was cut. Dempsey, Crimmins, and Quigg sat outside the rail, against the wall. They were waiting for McGaw, who had not been seen since the afternoon.

The president was in his accustomed place. The five gentlemen of leisure, the veterinary surgeon, and the other trustees occupied their several chairs. The roll had been called, and every man had answered to his name. The occasion being one of much importance, a full board was required.

As the minute-hand neared the hour of nine Dempsey became uneasy. He started every time a new-comer mounted the stairs. Where was McGaw? No one had seen him since he swallowed the tumblerful of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Statesman by Plato:

different threads are drawn into one. You would admit--would you not?-- that there are parts of virtue (although this position is sometimes assailed by Eristics), and one part of virtue is temperance, and another courage. These are two principles which are in a manner antagonistic to one another; and they pervade all nature; the whole class of the good and beautiful is included under them. The beautiful may be subdivided into two lesser classes: one of these is described by us in terms expressive of motion or energy, and the other in terms expressive of rest and quietness. We say, how manly! how vigorous! how ready! and we say also, how calm! how temperate! how dignified! This opposition of terms is extended by us to all actions, to the tones of the voice, the notes of music, the workings of


Statesman