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Today's Stichomancy for Coco Chanel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

lane I stand" - unfortunately too indelicate for further citation, ran through the country like a fiery cross - they were recited, quoted, paraphrased, and laughed over as far away as Dumfries on the one hand and Dunbar on the other.

These four brothers were united by a close bond, the bond of that mutual admiration - or rather mutual hero-worship - which is so strong among the members of secluded families who have much ability and little culture. Even the extremes admired each other. Hob, who had as much poetry as the tongs, professed to find pleasure in Dand's verses; Clem, who had no more religion than Claverhouse, nourished a heartfelt, at least an open-mouthed, admiration of Gib's prayers; and Dandie followed

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

to hunt alone for a few days. As a child he had enjoyed romping and playing with the young apes, his companions; but now these play-fellows of his had grown to surly, lowering bulls, or to touchy, suspicious mothers, jealously guarding helpless balus. So Tarzan found in his own man-mind a greater and a truer companionship than any or all of the apes of Kerchak could afford him.

This day, as Tarzan hunted, the sky slowly became overcast. Torn clouds, whipped to ragged streamers, fled low above the tree tops. They reminded Tarzan of frightened antelope fleeing the charge of a hungry lion. But though the light


The Jungle Tales of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Black Dwarf by Walter Scott:

"That, Isabella," said Vere, solemnly, "you shall never know, until your father's head has rolled on the bloody scaffold; then, indeed, you will learn there was one sacrifice by which he might have been saved."

"And why not speak it now?" said Isabella; "do you fear I would flinch from the sacrifice of fortune for your preservation? or would you bequeath me the bitter legacy of life-long remorse, so oft as I shall think that you perished, while there remained one mode of preventing the dreadful misfortune that overhangs you?"

"Then, my child," said Vere, "since you press me to name what I would a thousand times rather leave in silence, I must inform you

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma McChesney & Co. by Edna Ferber:

went about flicking on the soft-shaded wall lights and the lamps.

"Turn your chair so that your back will be toward the door."

He turned it obediently.

Emma vanished.

From the direction of her bedroom there presently came the sounds of dresser drawers hurriedly opened and shut with a bang, of a slipper dropped on the hard-wood floor, a tune hummed in an absent-minded absorption under the breath, an excited little laugh nervously stifled. Buck, in his role of audience, began to clap impatiently and to stamp with his feet on the floor.

"No gallery!" Emma called in from the hall. "Remember the


Emma McChesney & Co.