Today's Stichomancy for Colin Powell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Ideal Husband by Oscar Wilde:

LADY CHILTERN. No. Mr. Montford, I think.

LORD GORING. You can trust him?

LADY CHILTERN. [With a gesture of despair.] Oh! how do I know?

LORD GORING. He would do what you asked him, wouldn't he?

LADY CHILTERN. I think so.

LORD GORING. Your letter was on pink paper. He could recognise it without reading it, couldn't he? By the colour?

LADY CHILTERN. I suppose so.

LORD GORING. Is he in the house now?

LADY CHILTERN. Yes.

LORD GORING. Then I will go and see him myself, and tell him that a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

all the open doors, some carrying lanterns if the evening were dark, all moving quietly and dropping with Samoan decorum in a wide semicircle on the floor beneath a great lamp that hung from the ceiling. The service began by my son reading a chapter from the Samoan Bible, Tusitala following with a prayer in English, sometimes impromptu, but more often from the notes in this little book, interpolating or changing with the circumstance of the day. Then came the singing of one or more hymns in the native tongue, and the recitation in concert of the Lord's Prayer, also in Samoan. Many of these hymns were set to ancient tunes, very wild and warlike, and strangely at variance with the missionary words.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

when she heard that her favourite was alive, and might so cheaply be ransomed. She could not think of delaying for a moment Pekuah's happiness or her own, but entreated her brother to send back the messenger with the sum required. Imlac, being consulted, was not very confident of the veracity of the relater, and was still more doubtful of the Arab's faith, who might, if he were too liberally trusted, detain at once the money and the captives. He thought it dangerous to put themselves in the power of the Arab by going into his district; and could not expect that the rover would so much expose himself as to come into the lower country, where he might be seized by the forces of the Bassa.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cratylus by Plato:

luck in him, he affirms this to be the name of somebody else. Socrates supposes him to mean that falsehood is impossible, to which his own answer would be, that there has never been a lack of liars. Cratylus presses him with the old sophistical argument, that falsehood is saying that which is not, and therefore saying nothing;--you cannot utter the word which is not. Socrates complains that this argument is too subtle for an old man to understand: Suppose a person addressing Cratylus were to say, Hail, Athenian Stranger, Hermogenes! would these words be true or false? 'I should say that they would be mere unmeaning sounds, like the hammering of a brass pot.' But you would acknowledge that names, as well as pictures, are imitations, and also that pictures may give a right or wrong