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Today's Stichomancy for Colin Powell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Heritage of the Desert by Zane Grey:

the circle of light to pause at length before the chieftains and to break the impressive silence with his deep voice.

"Eschtah sees before him a friend stung to his heart. Men of his own color have long injured him, yet have lived. The Mormon loved his fellows and forgave. Five sons he laid in their graves, yet his heart was not hardened. His first-born went the trail of the fire-water and is an outcast from his people. Many enemies has he and one is a chief. He has killed the white man's friends, stolen his cattle, and his water.

To-day the white man laid another son in his grave. What thinks the chief? Would he not crush the scorpion that stung him?"

The old Navajo answered in speech which, when translated, vitas as


The Heritage of the Desert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Captain Stormfield by Mark Twain:

cabin and take dinner with you?"

"I get your drift again, Sandy. I wouldn't be used to such grand people as the patriarchs and prophets, and I would be sheepish and tongue-tied in their company, and mighty glad to get out of it. Sandy, which is the highest rank, patriarch or prophet?"

"Oh, the prophets hold over the patriarchs. The newest prophet, even, is of a sight more consequence than the oldest patriarch. Yes, sir, Adam himself has to walk behind Shakespeare."

"Was Shakespeare a prophet?"

"Of course he was; and so was Homer, and heaps more. But Shakespeare and the rest have to walk behind a common tailor from

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land of Footprints by Stewart Edward White:

convinced that each and every bush in Africa conceals a mule-eating rhinoceros, and who does not intend to be one of the number so eaten. But we had noticed that at times zebra would be so struck with the strange sight of Scallywattamus carrying a man, that they would let us get quite close. C. was to ride Scallywattamus while I trudged along under his lee ready to shoot.

We set out through the heat shimmer, gradually rising as the plain slanted. Imperceptibly the camp and the trees marking the river's course fell below us and into the heat haze. In the distance, close to the stream, we made out a blurred, brown-red

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

ringing hoofs on the road; a mustang and a cloud of dust were approaching.

"Mescal and Black Bolly!" he exclaimed, and sat up quickly. The mustang turned in the gate, slid to a stop, and stood quivering, restive, tossing its thoroughbred head, black as a coal, with freedom and fire in every line. Mescal leaped off lightly. A gray form flashed in at the gate, fell at her feet and rose to leap about her. It was a splendid dog, huge in frame, almost white, wild as the mustang.

This was the Mescal whom he remembered, yet somehow different. The sombre homespun garments had given place to fringed and beaded buckskin.

"I've come for you," she said.


The Heritage of the Desert