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Today's Stichomancy for David Ben Gurion

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Collection of Beatrix Potter by Beatrix Potter:

and remember to blow your nose"--

(Aunt Pettitoes passed round the handkerchief again)--"beware of traps, hen roosts, bacon and eggs; always walk upon your hind legs." Pigling Bland, who was a sedate little pig, looked solemnly at his mother, a tear trickled down his cheek.

Aunt Pettitoes turned to the other--"Now son Alexander take

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Symposium by Plato:

there would be an end of the sacrifices and worship which men offered to them; but, on the other hand, the gods could not suffer their insolence to be unrestrained. At last, after a good deal of reflection, Zeus discovered a way. He said: 'Methinks I have a plan which will humble their pride and improve their manners; men shall continue to exist, but I will cut them in two and then they will be diminished in strength and increased in numbers; this will have the advantage of making them more profitable to us. They shall walk upright on two legs, and if they continue insolent and will not be quiet, I will split them again and they shall hop about on a single leg.' He spoke and cut men in two, like a sorb-apple which is halved for pickling, or as you might divide an egg with a hair; and as he cut them one

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James:

the blessing of her knowledge? Ah that way madness lay! - so I at least said to myself in bewildered hours. I could see meanwhile the torch she refused to pass on flame away in her chamber of memory - pour through her eyes a light that shone in her lonely house. At the end of six months I was fully sure of what this warm presence made up to her for. We had talked again and again of the man who had brought us together - of his talent, his character, his personal charm, his certain career, his dreadful doom, and even of his clear purpose in that great study which was to have been a supreme literary portrait, a kind of critical Vandyke or Velasquez. She had conveyed to me in abundance that she was tongue-tied by her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Stories From the Old Attic by Robert Harris:

would say something like, "I'll put a stop to this abuse," and then their lips, who were old friends by now, would once again meet for fellowship. Of course, Lucinda would struggle just enough to enhance the enjoyment, until laughter or an unexpected visitor broke their embrace.

Well, enough mush. The point is that an unspoken understanding had developed between them so that only a few months after the rest of the kingdom knew it, they realized that they would one day wed and together laugh and cry through the years until death should wake them.

But to return to the weightier problem of King Cleon. Upon being asked for his advice, Sir Philo recommended that the king choose from