| The first excerpt represents the past or something you must release, and is drawn from Rivers to the Sea by Sara Teasdale: Howls like a hundred devils.
Past the maze of trim bronze doors,
Steadily we ascend.
I cling to you
Conscious of the chasm under us,
And a terrible whirring deafens my ears.
The flight is ended.
We pass thru a door leading onto the ledge--
RIVERS TO THE SEA
Wind, night and space
Oh terrible height
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson: to doff at once the body of the noted professor, and to assume,
like a thick cloak, that of Edward Hyde. I smiled at the notion;
it seemed to me at the time to be humourous; and I made my
preparations with the most studious care. I took and furnished
that house in Soho, to which Hyde was tracked by the police; and
engaged as a housekeeper a creature whom I knew well to be silent
and unscrupulous. On the other side, I announced to my servants
that a Mr. Hyde (whom I described) was to have full liberty and
power about my house in the square; and to parry mishaps, I even
called and made myself a familiar object, in my second character.
I next drew up that will to which you so much objected; so that if
The Strange Case of Dr. Jekyll and Mr. Hyde |
The third excerpt represents the future or something you must embrace, and is drawn from Study of a Woman by Honore de Balzac: rapid or sidelong glance. The lips of the marquise paled, but that was
all. She rang the bell for wood, and so constrained Rastignac to rise
and take his leave.
"If that be so," said the marquise, stopping Eugene with a cold and
rigid manner, "you will find it difficult to explain, monsieur, why
your pen should, by accident, write my name. A name, written on a
letter, is not a friend's opera-hat, which you might have taken,
carelessly, on leaving a ball."
Eugene, discomfited, looked at the marquise with an air that was both
stupid and conceited. He felt that he was becoming ridiculous; and
after stammering a few juvenile phrases he left the room.
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