| The first excerpt represents the past or something you must release, and is drawn from Charmides by Plato: original to the copy (Rep.). His calling is not held in much honour by the
world of scholars; yet he himself may be excused for thinking it a kind of
glory to have lived so many years in the companionship of one of the
greatest of human intelligences, and in some degree, more perhaps than
others, to have had the privilege of understanding him (Sir Joshua
Reynolds' Lectures: Disc. xv.).
There are fundamental differences in Greek and English, of which some may
be managed while others remain intractable. (1). The structure of the
Greek language is partly adversative and alternative, and partly
inferential; that is to say, the members of a sentence are either opposed
to one another, or one of them expresses the cause or effect or condition
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Passionate Pilgrim by William Shakespeare: And stood stark naked on the brook's green brim:
The sun look'd on the world with glorious eye,
Yet not so wistly as this queen on him.
He, spying her, bounced in, whereas he stood:
'O Jove,' quoth she, 'why was not I a flood!'
VII.
Fair is my love, but not so fair as fickle;
Mild as a dove, but neither true nor trusty;
Brighter than glass, and yet, as glass is brittle;
Softer than wax, and yet, as iron, rusty:
A lily pale, with damask dye to grace her,
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The third excerpt represents the future or something you must embrace, and is drawn from Padre Ignacio by Owen Wister: "But pray Heaven that you may find the thing yourself some day--
Contentment with Renunciation--and never let it go."
"Amen!" said Gaston, strangely moved.
"That is the whole of my story," the priest continued, with no more of
the recent stress in his voice. "And now I have talked to you about
myself quite enough. But you must have my confession." He had now resumed
entirely his half-playful tone. "I was just a little mistaken, you see--
too self-reliant, perhaps--when I supposed, in my first missionary ardor,
that I could get on without any remembrance of the world at all. I found
that I could not. And so I have taught the old operas to my choir--such
parts of them as are within our compass and suitable for worship. And
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