Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for David Boreanaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Jungle Book by Rudyard Kipling:

elephants poured into the stockade like boulders in a landslide, found that they could not get out, and flung themselves at the heavy posts only to be driven back by yells and flaring torches and volleys of blank cartridge.

Even a little boy could be of use there, and Toomai was as useful as three boys. He would get his torch and wave it, and yell with the best. But the really good time came when the driving out began, and the Keddah--that is, the stockade-- looked like a picture of the end of the world, and men had to make signs to one another, because they could not hear themselves speak. Then Little Toomai would climb up to the top of one of the


The Jungle Book
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Deserted Woman by Honore de Balzac:

could do so, views diametrically opposed to her own. So witty and so gracious was she, so much herself with this stranger, with whom she felt completely at ease, because she felt sure that they should never meet again, that, after some delicious epigram of hers, Gaston exclaimed unthinkingly:

"Oh! madame, how could any man have left you?"

The Vicomtesse was silent. Gaston reddened, he thought that he had offended her; but she was not angry. The first deep thrill of delight since the day of her calamity had taken her by surprise. The skill of the cleverest /roue/ could not have made the impression that M. de Nueil made with that cry from the heart. That verdict wrung from a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Vicar of Tours by Honore de Balzac:

silk in summer, merino in winter, and always brown in color, was invariably rather tight for her angular figure and thin arms. Her collar, limp and bent, exposed too much the red skin of a neck which was ribbed like an oak-leaf in winter seen in the light. Her origin explains to some extent the defects of her conformation. She was the daughter of a wood-merchant, a peasant, who had risen from the ranks. She might have been plump at eighteen, but no trace remained of the fair complexion and pretty color of which she was wont to boast. The tones of her flesh had taken the pallid tints so often seen in "devotes." Her aquiline nose was the feature that chiefly proclaimed the despotism of her nature, and the flat shape of her forehead the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Madam How and Lady Why by Charles Kingsley:

be: but yet he would never find out how the pudding was made, unless some one told him the great secret which the sailors in the old story forgot--that the cook boiled it in a cloth.

This is Analysis's weak point--don't let it be yours--that in all his calculations he is apt to forget the cloth, and indeed the cook likewise. No doubt he can analyse the matter of things: but he will keep forgetting that he cannot analyse their form.

Do I mean their shape?

No, my child; no. I mean something which makes the shape of things, and the matter of them likewise, but which folks have lost sight of nowadays, and do not seem likely to get sight of again