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Today's Stichomancy for David Boreanaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of Writing by Robert Louis Stevenson:

that we perceive their beauty, fitness, and significance; and to pry below is to be appalled by their emptiness and shocked by the coarseness of the strings and pulleys. In a similar way, psychology itself, when pushed to any nicety, discovers an abhorrent baldness, but rather from the fault of our analysis than from any poverty native to the mind. And perhaps in aesthetics the reason is the same: those disclosures which seem fatal to the dignity of art seem so perhaps only in the proportion of our ignorance; and those conscious and unconscious artifices which it seems unworthy of the serious artist to employ were yet, if we had the power

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrecker by Stevenson & Osbourne:

sign but the perfection of their work. The whole domain was drawn to the line and weeded like the front plot of some suburban amateur; and I looked in vain for any belated gardener, and listened in vain for any sounds of labour. Some lowing of cattle and much calling of birds alone disturbed the stillness, and even the little hamlet, which clustered at the gates, appeared to hold its breath in awe of its great neighbour, like a troop of children who should have strayed into a king's anteroom.

The Carthew Arms, the small but very comfortable inn, was a mere appendage and outpost of the family whose name it bore.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Flower Fables by Louisa May Alcott:

lovely flowers, and what a lonely home for us! Their beauty fills our hearts with brightness, and their love with tender thoughts. Ought we then to leave them to die uncared for and alone? They give to us their all; ought we not to toil unceasingly, that they may bloom in peace within their quiet homes? We have tried to gain the love of the stern Frost-King, but in vain; his heart is hard as his own icy land; no love can melt, no kindness bring it back to sunlight and to joy. How then may we keep our frail blossoms from his cruel spirits? Who will give us counsel? Who will be our messenger for the last time ? Speak, my subjects."

Then a great murmuring arose, and many spoke, some for costlier gifts,


Flower Fables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from American Notes by Rudyard Kipling:

future, but is discreetly of the present, and strives for the confidences of male humanity on the grounds of "sympathy" (methinks this is not altogether a new type).

Item, a girl in a "dive," blessed with a Greek head and eyes, that seem to speak all that is best and sweetest in the world. But woe is me! She has no ideas in this world or the next beyond the consumption of beer (a commission on each bottle), and protests that she sings the songs allotted to her nightly without more than the vaguest notion of their meaning.

Sweet and comely are the maidens of Devonshire; delicate and of gracious seeming those who live in the pleasant places of London;