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Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

Witness after witness was called by the state, and questioned at length; but the cross questioning was brief. Wilson knew they could furnish nothing valuable for his side. People were sorry for Pudd'nhead Wilson; his budding career would get hurt by this trial.

Several witnesses swore they heard Judge Driscoll say in his public speech that the twins would be able to find their lost knife again when they needed it to assassinate somebody with. This was not news, but now it was seen to have been sorrowfully prophetic, and a profound sensation quivered through the hushed courtroom when those dismal words were repeated.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

v. 15. Him beside.] Ciacco de' Tariatti of Arezzo. He is said to have been carried by his horse into the Arno, and there drowned, while he was in pursuit of certain of his enemies.

v. 17. Frederic Novello.] Son of the Conte Guido da Battifolle, and slain by one of the family of Bostoli.

v. 18. Of Pisa he.] Farinata de' Scornigiani of Pisa. His father Marzuco, who had entered the order of the Frati Minori, so entirely overcame the feelings of resentment, that he even kissed the hands of the slayer of his son, and, as he was following the funeral, exhorted his kinsmen to reconciliation.

v. 20. Count 0rso.] Son of Napoleone da Cerbaia, slain by


The Divine Comedy (translated by H.F. Cary)
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Footnote to History by Robert Louis Stevenson:

arrival; when a silly lad, in mere lightness of heart, fired a shot in the air. My native friend, Mrs. Mary Hamilton, ran out of her house and gave the culprit a good shaking: an episode in the midst of battle as incongruous as the grazing cow. But his sillier comrades followed his example; a harmless volley warned the boats what they might expect; and they drew back and passed outside the reef for the passage of the Fuisa. Here they came under the fire of the right wing of the Mataafas on the river-bank. The beach, raked east and west, appeared to them no place to land on. And they hung off in the deep water of the lagoon inside the barrier reef, feebly fusillading the pilot house.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of War by Sun Tzu:

Empire." Ts`ao Kung's explanation is, that the Yellow Emperor was the first to institute the feudal system of vassals princes, each of whom (to the number of four) originally bore the title of Emperor. Li Ch`uan tells us that the art of war originated under Huang Ti, who received it from his Minister Feng Hou.]

11. All armies prefer high ground to low.

["High Ground," says Mei Yao-ch`en, "is not only more agreement and salubrious, but more convenient from a military point of view; low ground is not only damp and unhealthy, but also disadvantageous for fighting."]

and sunny places to dark.


The Art of War