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Today's Stichomancy for David Geffen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The War in the Air by H. G. Wells:

down any stray cruisers that threatened your ports of commerce. But to blockade and watch a coastline is one thing, to blockade and watch the whole surface of a country is another, and cruisers and privateers are things that take long to make, that cannot be packed up and hidden and carried unostentatiously from point to point. In aerial war the stronger side, even supposing it destroyed the main battle fleet of the weaker, had then either to patrol and watch or destroy every possible point at which he might produce another and perhaps a novel and more deadly form of flyer. It meant darkening his air with airships. It meant building them by the thousand and making aeronauts by the.hundred

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Juana by Honore de Balzac:

was that the 6th of the line was the regiment to enter Tarragona, and why the disorder and confusion, natural enough in a city taken by storm, degenerated for a time into a slight pillage.

This regiment possessed two officers, not at all remarkable among these men of iron, who played, nevertheless, in the history we shall now relate, a somewhat important part.

The first, a captain in the quartermaster's department, an officer half civil, half military, was considered, in soldier phrase, to be fighting his own battle. He pretended bravery, boasted loudly of belonging to the 6th of the line, twirled his moustache with the air of a man who was ready to demolish everything; but his brother

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Alexander's Bridge by Willa Cather:

the Continent--Cannes, Hyeres, Algiers, Cairo-- among smartly dressed, disabled men of every nationality; forever going on journeys that led nowhere; hurrying to catch trains that he might just as well miss; getting up in the morning with a great bustle and splashing of water, to begin a day that had no purpose and no meaning; dining late to shorten the night, sleeping late to shorten the day.

And for what? For a mere folly, a masquerade, a little thing that he could not let go.


Alexander's Bridge
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Middlemarch by George Eliot:

than the outside tissues which make a sort of blazonry or clock-face for it.

Yet those who approached Dorothea, though prejudiced against her by this alarming hearsay, found that she had a charm unaccountably reconcilable with it. Most men thought her bewitching when she was on horseback. She loved the fresh air and the various aspects of the country, and when her eyes and cheeks glowed with mingled pleasure she looked very little like a devotee. Riding was an indulgence which she allowed herself in spite of conscientious qualms; she felt that she enjoyed it in a pagan sensuous way, and always looked forward to renouncing it.

She was open, ardent, and not in the least self-admiring; indeed,


Middlemarch