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Today's Stichomancy for David Geffen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fanny Herself by Edna Ferber:

rather baleful look in her eyes, led the way to the butler's pantry that was as large as the average kitchen. And there, ranged on platters, and baking boards, and on snowy-white napkins, was that which made Tantalus's feast seem a dry and barren snack. The Weinberg's had baked. It is the custom in the household of Atonement Day fasters of the old school to begin the evening meal, after the twenty-four hours of abstainment, with coffee and freshly- baked coffee cake of every variety. It was a lead-pipe blow at one's digestion, but delicious beyond imagining. Bella's mother was a famous cook, and her two maids followed in the


Fanny Herself
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from To the Lighthouse by Virginia Woolf:

something William had said; the birds in the trees; the sofa on the landing; the children being awake; Charles Tansley waking them with his books falling--oh, no, that she had invented; and Paul having a wash- leather case for his watch. Which should she tell him about?

"They're engaged," she said, beginning to knit, "Paul and Minta."

"So I guessed," he said. There was nothing very much to be said about it. Her mind was still going up and down, up and down with the poetry; he was still feeling very vigorous, very forthright, after reading about Steenie's funeral. So they sat silent. Then she became aware that she wanted him to say something.

Anything, anything, she thought, going on with her knitting. Anything


To the Lighthouse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Marie by H. Rider Haggard:

There was a peach orchard planted round Maraisfontein, which just then was a mass of lovely pink blossom, and as I rode through it slowly, not being sure of my way to the house, a lanky child appeared in front of me, clad in a frock which exactly matched the colour of the peach bloom. I can see her now, her dark hair hanging down her back, and her big, shy eyes staring at me from the shadow of the Dutch "kappie" which she wore. Indeed, she seemed to be all eyes, like a "dikkop" or thick-headed plover; at any rate, I noted little else about her.

I pulled up my pony and stared at her, feeling very shy and not knowing what to say. For a while she stared back at me, being afflicted, presumably, with the same complaint, then spoke with an effort, in a


Marie
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Kidnapped Santa Claus by L. Frank Baum:

had just enough presents to go around and make every child happy. The reindeer knew exactly what was expected of them, and dashed along so swiftly that their feet scarcely seemed to touch the snow-covered ground.

Suddenly a strange thing happened: a rope shot through the moonlight and a big noose that was in the end of it settled over the arms and body of Santa Claus and drew tight. Before he could resist or even cry out he was jerked from the seat of the sleigh and tumbled head foremost into a snowbank, while the reindeer rushed onward with the load of toys and carried it quickly out of sight and sound.

Such a surprising experience confused old Santa for a moment, and when he had collected his senses he found that the wicked Daemons had


A Kidnapped Santa Claus