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Today's Stichomancy for David Geffen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When the Sleeper Wakes by H. G. Wells:

vast dim ghosts, their inscriptions and advertisements indistinctly seen, and up through the girders and cables was a faint interrupted ribbon of pallid sky. A number of people hurried by. From their shouts and voices, it seemed they were hurrying to join the fighting. Other less noisy figures flitted timidly among the shadows.

From very far away down the street he could hear the sound of a struggle. But it was evident to him that this was not the street into which the theatre opened. That former fight, it seemed, had suddenly


When the Sleeper Wakes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Betty Zane by Zane Grey:

him. I never did. I am tired of hearing everyone eulogize him. I hate him. Do you hear? I hate him! And I wish you would go away and leave me alone."

"Well, Betty, all I will say is that you are a remarkable young woman," answered Mrs. Zane, who saw plainly that Betty's violent outburst was a prelude to a storm of weeping. "I don't believe a word you have said. I don't believe you hate him. There!"

Col. Zane walked straight to the Fort, entered the block-house and knocked on the door of Clarke's room. A voice bade him come in. He shoved open the door and went into the room. Clarke had evidently just returned from a tramp in the hills, for his garments were covered with burrs and his boots were dusty. He looked tired, but his face was calm.


Betty Zane
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James:

was, I only became aware little by little, and meanwhile I had done my work."

"And now you quite like it?" I risked.

"My work?"

"Your secret. It's the same thing."

"Your guessing that," Vereker replied, "is a proof that you're as clever as I say!" I was encouraged by this to remark that he would clearly be pained to part with it, and he confessed that it was indeed with him now the great amusement of life. "I live almost to see if it will ever be detected." He looked at me for a jesting challenge; something far within his eyes seemed to peep out. "But

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

Turkish arms, his fine English guns, his Japanese china, his cups mounted in silver, his artistic bronzes by Feucheres and Barye; examined the cupboards, and placed the key in each; threw into a drawer of his secretary, which he left open, all the pocket-money he had about him, and with it the thousand fancy jewels from his vases and his jewel-boxes; then he made an exact inventory of everything, and placed it in the most conspicuous part of the table, after putting aside the books and papers which had collected there.

At the beginning of this work, his servant, notwithstanding orders to the contrary, came to his room. "What do you


The Count of Monte Cristo