| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When the Sleeper Wakes by H. G. Wells: vast dim ghosts, their inscriptions and advertisements
indistinctly seen, and up through the girders and
cables was a faint interrupted ribbon of pallid sky. A
number of people hurried by. From their shouts and
voices, it seemed they were hurrying to join the
fighting. Other less noisy figures flitted timidly among the
shadows.
From very far away down the street he could hear
the sound of a struggle. But it was evident to him
that this was not the street into which the theatre
opened. That former fight, it seemed, had suddenly
 When the Sleeper Wakes |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Betty Zane by Zane Grey: him. I never did. I am tired of hearing everyone eulogize him. I hate him. Do
you hear? I hate him! And I wish you would go away and leave me alone."
"Well, Betty, all I will say is that you are a remarkable young woman,"
answered Mrs. Zane, who saw plainly that Betty's violent outburst was a
prelude to a storm of weeping. "I don't believe a word you have said. I don't
believe you hate him. There!"
Col. Zane walked straight to the Fort, entered the block-house and knocked on
the door of Clarke's room. A voice bade him come in. He shoved open the door
and went into the room. Clarke had evidently just returned from a tramp in the
hills, for his garments were covered with burrs and his boots were dusty. He
looked tired, but his face was calm.
 Betty Zane |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James: was, I only became aware little by little, and meanwhile I had done
my work."
"And now you quite like it?" I risked.
"My work?"
"Your secret. It's the same thing."
"Your guessing that," Vereker replied, "is a proof that you're as
clever as I say!" I was encouraged by this to remark that he would
clearly be pained to part with it, and he confessed that it was
indeed with him now the great amusement of life. "I live almost to
see if it will ever be detected." He looked at me for a jesting
challenge; something far within his eyes seemed to peep out. "But
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Count of Monte Cristo by Alexandre Dumas: Turkish arms, his fine English guns, his Japanese china, his
cups mounted in silver, his artistic bronzes by Feucheres
and Barye; examined the cupboards, and placed the key in
each; threw into a drawer of his secretary, which he left
open, all the pocket-money he had about him, and with it the
thousand fancy jewels from his vases and his jewel-boxes;
then he made an exact inventory of everything, and placed it
in the most conspicuous part of the table, after putting
aside the books and papers which had collected there.
At the beginning of this work, his servant, notwithstanding
orders to the contrary, came to his room. "What do you
 The Count of Monte Cristo |