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Today's Stichomancy for David Letterman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Wyoming by William MacLeod Raine:

chance to know the big, untamed outdoors at first hand she had at once embraced it like a lover. She was eager for her new life, and she set out skillfully to make these men tell her what she wanted to know. To them, of course, it was an old story, and whatever of romance it held was unconscious. But since she wanted to talk of the West they were more than ready to please her.

So she listened, and drew them out with adroit questions when it was necessary. She made them talk of life on the open range, of rustlers and those who lived outside the law in the upper Shoshone country, of the deadly war waging between the cattle and sheep industries.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Great God Pan by Arthur Machen:

case. But I only know a little; I am like a traveller who has peered over an abyss, and has drawn back in terror. What I know is strange enough and horrible enough, but beyond my knowledge there are depths and horrors more frightful still, more incredible than any tale told of winter nights about the fire. I have resolved, and nothing shall shake that resolve, to explore no whit farther, and if you value your happiness you will make the same determination.

"Come and see me by all means; but we will talk on more cheerful topics than this."

Austin folded the letter methodically, and returned it


The Great God Pan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Art of Writing by Robert Louis Stevenson:

of a first love; and he enjoyed its practice long before he paused to calculate the wage. The other day an author was complimented on a piece of work, good in itself and exceptionally good for him, and replied, in terms unworthy of a commercial traveller that as the book was not briskly selling he did not give a copper farthing for its merit. It must not be supposed that the person to whom this answer was addressed received it as a profession of faith; he knew, on the other hand, that it was only a whiff of irritation; just as we know, when a respectable writer talks of literature as a way of life, like shoemaking, but not so useful, that he is

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

her head so: the hair is false. I tell you yet again, Mary's buried: she cannot come out of her grave. I fear her not: these cats that dare jump into thrones though they be fit only for men's laps must be put away. Whats done cannot be undone. Out, I say. Fie! a queen, and freckled!

THE MAN. _[shaking her arm]_ Mary, I say: art asleep?

_The Lady wakes; starts; and nearly faints. He catches her on his arm._

THE LADY. Where am I? What art thou?

THE MAN. I cry your mercy. I have mistook your person all this while. Methought you were my Mary: my mistress.