Today's Stichomancy for Dean Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Passion in the Desert by Honore de Balzac:

his ignorance led him to imagine all terrors at once; he endured a cruel torture, noting every variation of the breathing close to him without daring to make the slightest movement. An odor, pungent like that of a fox, but more penetrating, more profound,--so to speak,-- filled the cave, and when the Provencal became sensible of this, his terror reached its height, for he could no longer doubt the proximity of a terrible companion, whose royal dwelling served him for a shelter.

Presently the reflection of the moon descending on the horizon lit up the den, rendering gradually visible and resplendent the spotted skin of a panther.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rinkitink In Oz by L. Frank Baum:

with all his might. It was not until he heard Inga say triumphantly, "We have won the fight without striking a blow!" that Rinkitink dared open his eyes again. Then he saw the warriors rushing into the City of Regos and barring the heavy gates, and he was very much relieved at the sight.

"Without striking a blow!" said Bilbil indignantly. "That is not quite true, Prince Inga. You did not fight, I admit, but I struck a couple of times to good purpose, and I claim to have conquered the cowardly warriors unaided."

Rinkitink In Oz

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Coxon Fund by Henry James:

in dishonour, about the smoky Midlands, almost as the injured Lear wandered on the storm-lashed heath. His room, upstairs, had been lately done up (I could hear the crackle of the new chintz) and the difference only made his smirches and bruises, his splendid tainted genius, the more tragic. If he wasn't barefoot in the mire he was sure to be unconventionally shod. These were the things Adelaide and I, who were old enough friends to stare at each other in silence, talked about when we didn't speak. When we spoke it was only about the brilliant girl George Gravener was to marry and whom he had brought out the other Sunday. I could see that this presentation had been happy, for Mrs. Mulville commemorated it

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

nice audacity, and, to put the finishing touch upon his glory, he kept a gig and a strong trotting-horse. With Fettes he was on terms of intimacy; indeed, their relative positions called for some community of life; and when subjects were scarce the pair would drive far into the country in Macfarlane's gig, visit and desecrate some lonely graveyard, and return before dawn with their booty to the door of the dissecting-room.

On that particular morning Macfarlane arrived somewhat earlier than his wont. Fettes heard him, and met him on the stairs, told him his story, and showed him the cause of his