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Today's Stichomancy for Dean Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon:

horse should readily take his bit, that, to put it tersely, a horse that will not take it is good for nothing. Now, if the horse be bitted not only when he has work to do, but also when he is being taken to his food and when he is being led home from a ride, it would be no great marvel if he learnt to take the bit of his own accord, when first presented to him.

[6] Reading with L. Dind. {khre de ton ippokomon kai ta oiade . . . paroxunthai, ei ti dei ponein}, or if as Schneid., Sauppe, etc., {khre de ton ippon me kata toiade, k.t.l.}, transl. "the horse must not be irritated in such operations as these," etc.; but {toiade} = "as follows," if correct, suggests a lacuna in either


On Horsemanship
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Love and Friendship by Jane Austen:

that Purpose when our attention was attracted by the Entrance of a coroneted Coach and 4 into the Inn-yard. A Gentleman considerably advanced in years descended from it. At his first Appearance my Sensibility was wonderfully affected and e'er I had gazed at him a 2d time, an instinctive sympathy whispered to my Heart, that he was my Grandfather. Convinced that I could not be mistaken in my conjecture I instantly sprang from the Carriage I had just entered, and following the Venerable Stranger into the Room he had been shewn to, I threw myself on my knees before him and besought him to acknowledge me as his Grand Child. He started, and having attentively examined my features, raised me


Love and Friendship
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Mirth by Edith Wharton:

that, if they had been in her aunt's drawing-room, he might almost have tried to disprove her deduction.

"Don't you see," she continued, "that there are men enough to say pleasant things to me, and that what I want is a friend who won't be afraid to say disagreeable ones when I need them? Sometimes I have fancied you might be that friend--I don't know why, except that you are neither a prig nor a bounder, and that I shouldn't have to pretend with you or be on my guard against you." Her voice had dropped to a note of seriousness, and she sat gazing up at him with the troubled gravity of a child.

"You don't know how much I need such a friend," she said. "My

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

"Pardon me, Madame, but I understood you to say that your desire was to dwell in it."

"Nay! I spoke not of THAT past, Percy!" she said, while a tone of tenderness crept into her voice. "Rather did I speak of a time when you loved me still! and I. . .oh! I was vain and frivolous; your wealth and position allured me: I married you, hoping in my heart that your great love for me would beget in me a love for you. . .but, alas!. . ."

The moon had sunk low down behind a bank of clouds. In the east a soft grey light was beginning to chase away the heavy mantle of the night. He could only see her graceful outline now, the small queenly head, with its wealth of reddish golden curls, and the


The Scarlet Pimpernel