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Today's Stichomancy for Dean Martin

The first excerpt represents the past or something you must release, and is drawn from Beast in the Jungle by Henry James:

followed their afternoon at Weatherend, the opportunities for meeting multiplied. The event that thus promoted these occasions was the death of the ancient lady her great-aunt, under whose wing, since losing her mother, she had to such an extent found shelter, and who, though but the widowed mother of the new successor to the property, had succeeded--thanks to a high tone and a high temper-- in not forfeiting the supreme position at the great house. The deposition of this personage arrived but with her death, which, followed by many changes, made in particular a difference for the young woman in whom Marcher's expert attention had recognised from the first a dependent with a pride that might ache though it didn't

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Protagoras by Plato:

and aspects of the truth, especially of the popular and philosophical aspect; and after many interruptions and detentions by the way, which, as Theodorus says in the Theaetetus, are quite as agreeable as the argument, we arrive at the great Socratic thesis that virtue is knowledge. This is an aspect of the truth which was lost almost as soon as it was found; and yet has to be recovered by every one for himself who would pass the limits of proverbial and popular philosophy. The moral and intellectual are always dividing, yet they must be reunited, and in the highest conception of them are inseparable. The thesis of Socrates is not merely a hasty assumption, but may be also deemed an anticipation of some 'metaphysic of the future,' in which the divided elements of human nature are reconciled.

The third excerpt represents the future or something you must embrace, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

several of his lieutenants. Without, Tarzan listened.

17

The Deadly Peril of Jane Clayton

Lieutenant Albert Werper, terrified by contemplation of the fate which might await him at Adis Abeba, cast about for some scheme of escape, but after the black Mugambi had eluded their vigilance the Abyssinians redoubled their precautions to prevent Werper following the lead of the Negro.

For some time Werper entertained the idea of bribing Abdul Mourak with a portion of the contents of the


Tarzan and the Jewels of Opar