| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac: peace, the silence, the modest way of life in this family, that to an
artist accustomed to render nature, there was something hopeless in
any attempt to depict this scene, come upon by chance. The stranger
was a young painter, who, seven years before, had gained the first
prize for painting. He had now just come back from Rome. His soul,
full-fed with poetry; his eyes, satiated with Raphael and Michael
Angelo, thirsted for real nature after long dwelling in the pompous
land where art has everywhere left something grandiose. Right or
wrong, this was his personal feeling. His heart, which had long been a
prey to the fire of Italian passion, craved one of those modest and
meditative maidens whom in Rome he had unfortunately seen only in
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Son of Tarzan by Edgar Rice Burroughs: the verandah. In a moment of wakefulness he had heard the
report of Hanson's rifle far out across the plain, and wondered
what it might mean. Presently it had occurred to him that the
man whom he considered in the light of a guest might have met
with an accident on his way back to camp, so he had arisen and
gone to his foreman's quarters where he had learned that Hanson
had been there earlier in the evening but had departed several
hours before. Returning from the foreman's quarters Bwana had
noticed that the corral gate was open and further investigation
revealed the fact that Meriem's pony was gone and also the one
most often used by Baynes. Instantly Bwana assumed that the
 The Son of Tarzan |