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Today's Stichomancy for Dean Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Vicar of Tours by Honore de Balzac:

innocence among the blest."

"When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock--imagine him if you can!--gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

little tub, with a stick that he twirls at one end."

"That is called sculling," interrupted Kate.

"Sculling! I suppose he runs for a baked potato. Then he goes back. He is Robinson Crusoe on an island that never keeps still a single instant. It is all he has, and he never looks away, and never wants anything more. So I have him to watch. Think of living so near a beaver or a water-rat with clothes on! Good-by. Leave the door ajar, it is so warm."

And Kate went down to the landing. It was near the "baptismal shore," where every Sunday the young people used to watch the immersions; they liked to see the crowd of spectators, the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Child of Storm by H. Rider Haggard:

strength on stone walls, of which none know the number or can find the gates in the darkness, and thereby leave our skulls to be set up as ornaments on the fences of the accursed Amakoba? Let us draw the Amakoba out into the pass of the mountains, where they have no walls to protect them, and there fall on them when they are bewildered and settle the matter with them man to man. As for the women and children, with Macumazahn I say let them go; afterwards, perhaps, they will become _our_ women and children."

"Aye," answered the Amangwane, "the plan of the white Inkoosi is good; he is clever as a weasel; we will have his plan and no other."

So Saduko was overruled and my counsel adopted.


Child of Storm
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays of Travel by Robert Louis Stevenson:

who ran his errands and pleaded privately with the over-modest. I knew I liked Mr. Jones from the moment I saw him. I thought him by his face to be Scottish; nor could his accent undeceive me. For as there is a LINGUA FRANCA of many tongues on the moles and in the feluccas of the Mediterranean, so there is a free or common accent among English-speaking men who follow the sea. They catch a twang in a New England Port; from a cockney skipper, even a Scotsman sometimes learns to drop an H; a word of a dialect is picked up from another band in the forecastle; until often the result is undecipherable, and you have to ask for the man's place of birth. So it was with Mr. Jones. I thought him a Scotsman who had been long to sea; and yet he