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Today's Stichomancy for Dick Cheney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sesame and Lilies by John Ruskin:

the minds of many men, when they are heavily disappointed in the main purposes of their life, to feel, and perhaps in warning, perhaps in mockery, to declare, that life itself is a vanity. Because it has disappointed them, they think its nature is of disappointment always, or at best, of pleasure that can be grasped by imagination only; that the cloud of it has no strength nor fire within; but is a painted cloud only, to be delighted in, yet despised. You know how beautifully Pope has expressed this particular phase of thought:-

"Meanwhile opinion gilds, with varying rays, These painted clouds that beautify our days;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Intentions by Oscar Wilde:

in the land. Virtues! Who knows what the virtues are? Not you. Not I. Not any one. It is well for our vanity that we slay the criminal, for if we suffered him to live he might show us what we had gained by his crime. It is well for his peace that the saint goes to his martyrdom. He is spared the sight of the horror of his harvest.

ERNEST. Gilbert, you sound too harsh a note. Let us go back to the more gracious fields of literature. What was it you said? That it was more difficult to talk about a thing than to do it?

GILBERT (after a pause). Yes: I believe I ventured upon that simple truth. Surely you see now that I am right? When man acts

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Myths and Myth-Makers by John Fiske:

actually given as an explanation of the moon-spots. To the neglect of this distinction between what is plausible and what is supported by direct evidence, is due much of the crude speculation which encumbers the study of myths.

[156] Primitive Culture: Researches into the Development of Mythology, Philosophy, Religion, Art, and Custom By Edward B. Tylor. 2 vols. 8vo. London. 1871.

It is when Mr. Tylor merges the study of mythology into the wider inquiry into the characteristic features of the mode of thinking in which myths originated, that we can best appreciate the practical value of that union of speculative


Myths and Myth-Makers
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Scaramouche by Rafael Sabatini:

pursuing this affair with that chit of a Binet girl."

"How do you know?" asked La Tour d'Azyr.

"She has confided in her aunt. And the poor child seems to have some reason. She says she will not tolerate that you should come to kiss her hand with lips that are still contaminated from... Oh, you understand. You appreciate the impression of such a thing upon a pure, sensitive girl such as Aline. She said - I had better tell you - that the next time you kiss her hand, she will call for water and wash it in your presence."

The Marquis' face flamed scarlet. He rose. Knowing his violent, intolerant spirit, M. de Sautron was prepared for an outburst. But