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Today's Stichomancy for Doc Holliday

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ruling Passion by Henry van Dyke:

made for the visit. Then the visitor came, a tall, friendly, quiet- looking man about Jacques's age, with a smooth face and a long black cassock. The door was shut, and they were left alone together.

"I am comforted that you are come, mon pere," said the sick man, "for I have the heavy heart. There is a secret that I have kept for many years. Sometimes I had almost forgotten that it must be told at the last; but now it is the time to speak. I have a sin to confess--a sin of the most grievous, of the most unpardonable."

The listener soothed him with gracious words; spoke of the mercy that waits for all the penitent; urged him to open his heart without delay.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from One Basket by Edna Ferber:

Schroeder's corner. He marched straight on, looking steadily ahead, the heavy bags swinging from either hand. Even if he had stopped--though she knew he wouldn't--Terry Platt would not have seen him. She remained seated at the disordered breakfast table, a dreadfully still figure, and sinister; a figure of stone and fire, of ice and flame. Over and over in her mind she was milling the things she might have said to him, and had not. She brewed a hundred vitriolic cruelties that she might have flung in his face. She would concoct one biting brutality, and dismiss it for a second, and abandon that for a third. She was too angry to cry--a dangerous state in a woman. She was what is known as cold


One Basket
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

verdure, while in the distance the country rose from the ocean in hill and tableland, almost uniformly clothed by primeval forest.

No signs of habitation were visible, but that the land might easily support human life was evidenced by the abundant bird and animal life of which the watchers on the Fuwalda's deck caught occasional glimpses, as well as by the shimmer of a little river which emptied into the harbor, insuring fresh water in plenitude.

As darkness settled upon the earth, Clayton and Lady Alice still stood by the ship's rail in silent contemplation of


Tarzan of the Apes
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Phaedrus by Plato:

PHAEDRUS: Certainly.

SOCRATES: Bless me, what a wonderfully mysterious art is this which Tisias or some other gentleman, in whatever name or country he rejoices, has discovered. Shall we say a word to him or not?

PHAEDRUS: What shall we say to him?

SOCRATES: Let us tell him that, before he appeared, you and I were saying that the probability of which he speaks was engendered in the minds of the many by the likeness of the truth, and we had just been affirming that he who knew the truth would always know best how to discover the resemblances of the truth. If he has anything else to say about the art of speaking we should like to hear him; but if not, we are satisfied with our own view,