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Today's Stichomancy for Doc Holliday

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Camille by Alexandre Dumas:

He is a man who is useful to her, nothing more. She has closed her doors to him for two days; he came this morning--she could not but accept the box and let him accompany her. He saw her home; he has gone in for a moment, he is not staying, because you are waiting here. All that, it seems to me, is quite natural. Besides, you don't mind the duke."

"Yes; but he is an old man, and I am sure that Marguerite is not his mistress. Then, it is all very well to accept one liaison, but not two. Such easiness in the matter is very like calculation, and puts the man who consents to it, even out of love, very much in the category of those who, in a lower stage of


Camille
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

extortionate and an adulterator. He is very rich. The man who is supposed to get his living by seal-cutting pretends to be very poor. This lets you know as much as is necessary of the four principal tenants in the house of Suddhoo. Then there is Me, of course; but I am only the chorus that comes in at the end to explain things. So I do not count.

Suddhoo was not clever. The man who pretended to cut seals was the cleverest of them all--Bhagwan Dass only knew how to lie--except Janoo. She was also beautiful, but that was her own affair.

Suddhoo's son at Peshawar was attacked by pleurisy, and old Suddhoo was troubled. The seal-cutter man heard of Suddhoo's anxiety and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collection of Antiquities by Honore de Balzac:

dishonor of their house. He felt instinctively at such times that his revenge was at hand; he scented it in the wind! He had been sure of it indeed from the day when he discovered that the young Count's burden of debt was growing too heavy for the boy to bear.

Du Croisier's first step was to rid himself of his most hated enemy, the venerable Chesnel. The good old man lived in the Rue du Bercail, in a house with a steep-pitched roof. There was a little paved courtyard in front, where the rose-bushes grew and clambered up to the windows of the upper story. Behind lay a little country garden, with its box-edged borders, shut in by damp, gloomy-looking walls. The prim, gray-painted street door, with its wicket opening and bell

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When the World Shook by H. Rider Haggard:

in it escape, or at any rate rest from all these mysteries.

On the following morning we despatched Bastin to keep his rendezvous in the sepulchre at the proper time. Had we not done so I felt sure that he would have forgotten it, for on this occasion he was for once an unwilling missioner. He tried to persuade one of us to come with him--even Bickley would have been welcome; but we both declared that we could not dream of interfering in such a professional matter; also that our presence was forbidden, and would certainly distract the attention of his pupil.

"What you mean," said the gloomy Bastin, "is that you intend to


When the World Shook