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Today's Stichomancy for Douglas Adams

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lily of the Valley by Honore de Balzac:

told her how I had first seen her four years earlier from that spot. "The valley was so beautiful then!" I cried.

"And now?" she said quickly.

"You are beneath my tree, and the valley is ours!"

She bowed her head and that was our farewell; she got into her carriage with Madeleine, and I into mine alone.

On my return to Paris I was absorbed in pressing business which took all my time and kept me out of society, which for a while forgot me. I corresponded with Madame de Mortsauf, and sent her my journal once a week. She answered twice a month. It was a life of solitude yet teeming, like those sequestered spots, blooming unknown, which I had


The Lily of the Valley
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gobseck by Honore de Balzac:

snowy ruffles, which told plainly that her laundress' bills amounted to something like two thousand francs in the course of a year. Her dark curls escaped from beneath a bright Indian handkerchief, knotted carelessly about her head after the fashion of Creole women. The bed lay in disorder that told of broken slumber. A painter would have paid money to stay a while to see the scene that I saw. Under the luxurious hanging draperies, the pillow, crushed into the depths of an eider- down quilt, its lace border standing out in contrast against the background of blue silk, bore a vague impress that kindled the imagination. A pair of satin slippers gleamed from the great bear-skin rug spread by the carved mahogany lions at the bed-foot, where she had


Gobseck
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

the beauties of sea and sky, but the panels closed. At this moment the Nautilus arrived at the side of this high, perpendicular wall. What it would do, I could not guess. I returned to my room; it no longer moved. I laid myself down with the full intention of waking after a few hours' sleep; but it was eight o'clock the next day when I entered the saloon. I looked at the manometer. It told me that the Nautilus was floating on the surface of the ocean. Besides, I heard steps on the platform. I went to the panel. It was open; but, instead of broad daylight, as I expected, I was surrounded by profound darkness. Where were we? Was I mistaken? Was it still night? No; not a star was shining


20,000 Leagues Under the Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gone With the Wind by Margaret Mitchell:

money out of lumber, but she did not fear her competitors. She knew with conscious pride in her own smartness that she was the equal of any of them. She was Gerald's own daughter and the shrewd trading instinct she had inherited was now sharpened by her needs.

At first the other dealers had laughed at her, laughed with good- natured contempt at the very idea of a woman in business. But now they did not laugh. They swore silently as they saw her ride by. The fact that she was a woman frequently worked in her favor, for she could upon occasion look so helpless and appealing that she melted hearts. With no difficulty whatever she could mutely convey the impression of a brave but timid lady, forced by brutal


Gone With the Wind