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Today's Stichomancy for Douglas Adams

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Hidden Masterpiece by Honore de Balzac:

first by its highest lights, and then work down to the darker portions. Is not that the method of the sun, divine painter of the universe? O Nature, Nature! who has ever caught thee in thy flights? Alas! the heights of knowledge, like the depths of ignorance, lead to unbelief. I doubt my work."

The old man paused, then resumed. "For ten years I have worked, young man; but what are ten short years in the long struggle with Nature? We do not know the type it cost Pygmalion to make the only statue that ever walked--"

He fell into a reverie and remained, with fixed eyes, oblivious of all about him, playing mechanically with his knife.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

deceitful coloring, those dull, tarnished eyes, and garrulous, sensual mouths, in which the observer recognizes the symptoms of the degeneracy of the thought and its rotation in the circle of a special idea which destroys the creative faculties of the brain and the gift of seeing in large, of generalizing and deducing. No man who has allowed himself to be caught in the revolutions of the gear of these huge machines can ever become great. If he is a doctor, either he has practised little or he is an exception--a Bichat who dies young. If a great merchant, something remains--he is almost Jacques Coeur. Did Robespierre practise? Danton was an idler who waited. But who, moreover has ever felt envious of the figures of Danton and


The Girl with the Golden Eyes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moby Dick by Herman Melville:

fairly have entered the straits, these rascally Asiatics were now in hot pursuit, to make up for their over-cautious delay. But when the swift Pequod, with a fresh leading wind, was herself in hot chase; how very kind of these tawny philanthropists to assist in speeding her on to her own chosen pursuit,--mere riding-whips and rowels to her, that they were. As with glass under arm, Ahab to-and-fro paced the deck; in his forward turn beholding the monsters he chased, and in the after one the bloodthirsty pirates chasing him; some such fancy as the above seemed his. And when he glanced upon the green walls of the watery defile in which the ship was then sailing, and bethought him that through that gate lay the route to his vengeance,


Moby Dick
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Unconscious Comedians by Honore de Balzac:

den, said to Gazonal: "Cut!" the worthy provincial shuddered involuntarily. That which renders these beings so formidable is the importance of what we want to know. People go to them, as they know very well, to buy hope.

The den of the sibyl was much darker than the antechamber; the color of the walls could scarcely be distinguished. The ceiling, blackened by smoke, far from reflecting the little light that came from a window obstructed by pale and sickly vegetations, absorbed the greater part of it; but the table where the sorceress sat received what there was of this half-light fully. The table, the chair of the woman, and that on which Gazonal was seated, formed the entire furniture of the little