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Today's Stichomancy for Dr. Phil

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Wuthering Heights by Emily Bronte:

Is it really you? Is it?'

'Yes, Heathcliff,' he replied, glancing from me up to the windows, which reflected a score of glittering moons, but showed no lights from within. 'Are they at home? where is she? Nelly, you are not glad! you needn't be so disturbed. Is she here? Speak! I want to have one word with her - your mistress. Go, and say some person from Gimmerton desires to see her.'

'How will she take it?' I exclaimed. 'What will she do? The surprise bewilders me - it will put her out of her head! And you ARE Heathcliff! But altered! Nay, there's no comprehending it. Have you been for a soldier?'


Wuthering Heights
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rewards and Fairies by Rudyard Kipling:

,one voice said, "If you go among the Trees, the Children of the Night will change your spirit. Eat and sleep here." The other voice said, "Ask for the Knife." I listened to that voice.

'I said to my Mother in the morning, "I go away to find a thing for the people, but I do not know whether I shall return in my own shape." She answered, "Whether you live or die, or are made different, I am your Mother."'

'True,' said Puck. 'The Old Ones themselves cannot change men's mothers even if they would.'

'Let us thank the Old Ones! I spoke to my Maiden, the Priestess who waited for me at the Dew-ponds. She promised fine things

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sophist by Plato:

infinitesimals in mathematics. Many difficulties arise in practical religion from the impossibility of conceiving body and mind at once and in adjusting their movements to one another. There is a border ground between them which seems to belong to both; and there is as much difficulty in conceiving the body without the soul as the soul without the body. To the 'either' and 'or' philosophy ('Everything is either A or not A') should at least be added the clause 'or neither,' 'or both.' The double form makes reflection easier and more conformable to experience, and also more comprehensive. But in order to avoid paradox and the danger of giving offence to the unmetaphysical part of mankind, we may speak of it as due to the imperfection of language or the limitation of human faculties. It is

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Prince of Bohemia by Honore de Balzac:

he bids fair to be a gentleman, if I can recognize in him my turn of mind, and more particularly the Rusticoli air; then, oh--ah!'--a new movement from the matron--'on my word and honor, I will make him a cornet of--sugar-plums!'

"All this, if you will permit me to make use of the phraseology employed by M. Sainte-Beuve for his biographies of obscurities--all this, I repeat, is the playful and sprightly yet already somewhat decadent side of a strong race. It smacks rather of the Parc-aux-Cerfs than of the Hotel de Rambouillet. It is a race of the strong rather than of the sweet; I incline to lay a little debauchery to its charge, and more than I should wish in brilliant and generous natures; it is