| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Passion in the Desert by Honore de Balzac: curtains of his wet cave.
In the middle of the night his sleep was troubled by an extraordinary
noise; he sat up, and the deep silence around allowed him to
distinguish the alternative accents of a respiration whose savage
energy could not belong to a human creature.
A profound terror, increased still further by the darkness, the
silence, and his waking images, froze his heart within him. He almost
felt his hair stand on end, when by straining his eyes to their utmost
he perceived through the shadow two faint yellow lights. At first he
attributed these lights to the reflections of his own pupils, but soon
the vivid brilliance of the night aided him gradually to distinguish
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from End of the Tether by Joseph Conrad: he would never see her any more. But he did not know
what had happened till some months afterwards, when,
in a native craft lent him by his Sultan, he had made
his way to the Sofala's port of registry, where already
her existence and the official inquiry into her loss was
beginning to be forgotten.
It had not been a very remarkable or interesting case,
except for the fact that the captain had gone down with
his sinking ship. It was the only life lost; and Mr. Van
Wyk would not have been able to learn any details had
it not been for Sterne, whom he met one day on the quay
 End of the Tether |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: he was now in sight of his own property, for Miss Graeme enjoyed a
large estate in the province. And this was certainly a natural
occasion; but now here she was named a second time; and what is
surely fit to be observed, in this very month, which was November,
'47, and I BELIEVE UPON THAT VERY DAY AS WE SAT AMONG THESE
BARBAROUS MOUNTAINS, his brother and Miss Graeme were married. I
am the least superstitious of men; but the hand of Providence is
here displayed too openly not to be remarked. (5)
The next day, and the next, were passed in similar labours;
Ballantrae often deciding on our course by the spinning of a coin;
and once, when I expostulated on this childishness, he had an odd
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Bride of Lammermoor by Walter Scott: Scotland dry, in order to distil its rich dews on the village of
Wolf's Hope under Lammermoor. The minister put in his claim to
have the guests of distinction lodged at the manse, having his
eye, it was thought, upon a neighbouring preferment, where the
incumbent was sickly; but Mr. Balderstone destined that honour to
the cooper, his wife, and wife's mother, who danced for joy at
the preferences thus assigned them.
Many a beck and many a bow welcomed these noble guests to as
good entertainment as persons of such rank could set before such
visitors; and the old dame, who had formerly lived in Ravenswood
Castle, and knew, as she said, the ways of the nobility, was in
 The Bride of Lammermoor |