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Today's Stichomancy for Duke of Wellington

The first excerpt represents the past or something you must release, and is drawn from The Scarecrow of Oz by L. Frank Baum:

lives in the Em'rald City, you know, and so does the Scarecrow and the Tin Woodman and Tik-Tok and the Shaggy Man -- and all the rest of 'em that we've heard so much about -- not to mention Ozma, who must be the sweetest and loveliest girl in all the world!"

"Take your time, Trot," advised Button-Bright. "You don't have to say it all in one breath, you know. And you haven't mentioned half of the curious people in the Em'rald City."

"That 'ere Em'rald City," said Cap'n Bill impressively, "happens to be on the other side o' those mountains, that


The Scarecrow of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Profits of Religion by Upton Sinclair:

started to write "underfed millions"--are humbly grateful for these services, and hasten to buy copies of the pious weekly which tells about them.

The "Outlook" runs a column of "current events" in which it tells what is happening in the world; and sometimes it is compelled to tell of happenings against the interests of "the great mass of American wealth". The cynical reader will find amusement in following its narrative of the affairs of the New Haven during the five years subsequent to the publication of the Baxter article.

First came the collapse of the road's service; a series of

The third excerpt represents the future or something you must embrace, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

undefinable change that made her restless in his absence, and as tongue-tied in his presence as though it were SHE who had a secret to keep from him!

The thought that there WAS a secret somewhere between them struck her with a sudden smart rap of wonder, and she looked about her down the dim, long room.

"Can it be the house?" she mused.

The room itself might have been full of secrets. They seemed to be piling themselves up, as evening fell, like the layers and layers of velvet shadow dropping from the low ceiling, the dusky walls of books, the smoke-blurred sculpture of the hooded hearth.