| The first excerpt represents the past or something you must release, and is drawn from The Passionate Pilgrim by William Shakespeare: My heart doth charge the watch; the morning rise
Doth cite each moving sense from idle rest.
Not daring trust the office of mine eyes,
While Philomela sits and sings, I sit and mark,
And wish her lays were tuned like the lark;
For she doth welcome daylight with her ditty,
And drives away dark dismal-dreaming night:
The night so pack'd, I post unto my pretty;
Heart hath his hope, and eyes their wished sight;
Sorrow changed to solace, solace mix'd with sorrow;
For why, she sigh'd and bade me come tomorrow.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lesser Hippias by Plato: line of demarcation between genuine and spurious writings of Plato. They
fade off imperceptibly from one class to another. There may have been
degrees of genuineness in the dialogues themselves, as there are certainly
degrees of evidence by which they are supported. The traditions of the
oral discourses both of Socrates and Plato may have formed the basis of
semi-Platonic writings; some of them may be of the same mixed character
which is apparent in Aristotle and Hippocrates, although the form of them
is different. But the writings of Plato, unlike the writings of Aristotle,
seem never to have been confused with the writings of his disciples: this
was probably due to their definite form, and to their inimitable
excellence. The three dialogues which we have offered in the Appendix to
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The third excerpt represents the future or something you must embrace, and is drawn from A Man of Business by Honore de Balzac: of the city than all the fancy portraits that they paint. Some of you
think that you know a thing or two," he continued, glancing round at
Nathan, Bixiou, La Palferine, and Lousteau, "but the king of the
ground is a certain Count, now busy ranging himself. In his time, he
was supposed to be the cleverest, adroitest, canniest, boldest,
stoutest, most subtle and experienced of all the pirates, who,
equipped with fine manners, yellow kid gloves, and cabs, have ever
sailed or ever will sail upon the stormy seas of Paris. He fears
neither God nor man. He applies in private life the principles that
guide the English Cabinet. Up to the time of his marriage, his life
was one continual war, like--Lousteau's, for instance. I was, and am
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