| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Golden Sayings of Epictetus by Epictetus: or a cobbler.--"What do philosophers have rules for,
then?"--Why, that whatever may betide, our ruling faculty may be
as Nature would have it, and so remain. Think you this a small
matter? Not so! but the greatest thing there is. Well, does it
need but a short time? Can it be grasped by a passer-by?--grasp
it, if you can!
Then you will say, "Yes, I met Epictetus!"
Aye, just as you might a statue or a monument. You saw me!
and that is all. But a man who meets a man is one who learns the
other's mind, and lets him see is in turn. Learn my mind--show me
yours; and then go and say that you met me. Let us try each
 The Golden Sayings of Epictetus |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Weir of Hermiston by Robert Louis Stevenson: good she's like to get of it! I dinna say for men folk, but where
weemen folk are born, there let them bide. Glory to God, I was never
far'er from here than Crossmichael."
In the meanwhile it began to strike Archie as strange, that while she
thus sang the praises of her kinsfolk, and manifestly relished their
virtues and (I may say) their vices like a thing creditable to herself,
there should appear not the least sign of cordiality between the house
of Hermiston and that of Cauldstaneslap. Going to church of a Sunday,
as the lady housekeeper stepped with her skirts kilted, three tucks of
her white petticoat showing below, and her best India shawl upon her
back (if the day were fine) in a pattern of radiant dyes, she would
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Footnote to History by Robert Louis Stevenson: past; heard Laupepa tell with touching candour of the sorrows of
his exile, and Mataafa with mirthful simplicity of his resources
and anxieties in the war. The relation was perhaps too beautiful
to last; it was perhaps impossible but the titular king should grow
at last uneasily conscious of the MAIRE DE PALAIS at his side, or
the king-maker be at last offended by some shadow of distrust or
assumption in his creature. I repeat the words king-maker and
creature; it is so that Mataafa himself conceives of their
relation: surely not without justice; for, had he not contended
and prevailed, and been helped by the folly of consuls and the fury
of the storm, Laupepa must have died in exile.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy: tone, "two pails of water were placed in two different scales and
weighed alike, and that a live bream or small fish was put into
one, now why should not the pail in which it was placed weigh
heavier than the other?" Most members were troubled to find the
king a fitting reply, and many strange theories were advanced by
way of explaining why the pail should not be found heavier, none
of them being thought satisfactory. But at last a man sitting
far down the table was heard to express an opinion, when those
surrounding him laughed; hearing which the king, who had not
caught his words, asked him to repeat them. "Why, your
majesty," said he boldly, "I do believe the pail would weigh
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