| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac: and whose talent lent immortality to transient scenes. She was loved!
It was impossible to doubt it. When she no longer saw the artist,
these simple words still echoed in her ear, "You see how love has
inspired me!" And the throbs of her heart, as they grew deeper, seemed
a pain, her heated blood revealed so many unknown forces in her being.
She affected a severe headache to avoid replying to her cousin's
questions concerning the pictures; but on their return Madame Roguin
could not forbear from speaking to Madame Guillaume of the fame that
had fallen on the house of the Cat and Racket, and Augustine quaked in
every limb as she heard her mother say that she should go to the Salon
to see her house there. The young girl again declared herself
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn: and return!
But already, without a word, brown Feliu has stripped for the
struggle;--another second, and he is shooting through the surf,
head and hands tunnelling the foam hills.... One--two--three
lines passed!--four!--that is where they first begin to crumble
white from the summit,--five!--that he can ride fearlessly! ...
Then swiftly, easily, he advances, with a long, powerful
breast-stroke,--keeping his bearded head well up to watch for
drift,--seeming to slide with a swing from swell to
swell,--ascending, sinking,--alternately presenting breast or
shoulder to the wave; always diminishing more and more to the
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Court Life in China by Isaac Taylor Headland: currently reported in court circles that when Yehonala came into
his presence he not infrequently kicked off his shoe at her, a
bit of conduct that is quite in keeping with the temper usually
attributed to Kuang Hsu during those early years. This may
perhaps explain why she stood by the great Dowager through all
the troublous times of 1898 and 1900, in spite of the fact that
her imperial aunt had taken her husband's throne.
Mrs. Headland tells me that "Yehonala is not at all beautiful,
though she has a sad, gentle face. She is rather stooped,
extremely thin, her face long and sallow, and her teeth very much
decayed. Gentle in disposition, she is without self-assertion,
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Animal Farm by George Orwell: that the other animals were too ignorant to understand. For example,
Squealer told them that the pigs had to expend enormous labours every day
upon mysterious things called "files," "reports," "minutes," and
"memoranda". These were large sheets of paper which had to be closely
covered with writing, and as soon as they were so covered, they were burnt
in the furnace. This was of the highest importance for the welfare of the
farm, Squealer said. But still, neither pigs nor dogs produced any food by
their own labour; and there were very many of them, and their appetites
were always good.
As for the others, their life, so far as they knew, was as it had always
been. They were generally hungry, they slept on straw, they drank from the
 Animal Farm |