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Today's Stichomancy for Edgar Allan Poe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

the gorgeous blooms of a giant pimalia a woman sat. Her shapely, sandalled foot tapped impatiently upon the jewel-strewn walk that wound beneath the stately sorapus trees across the scarlet sward of the royal gardens of Thuvan Dihn, Jeddak of Ptarth, as a dark-haired, red- skinned warrior bent low toward her, whispering heated words close to her ear.

"Ah, Thuvia of Ptarth," he cried, "you are cold even before the fiery blasts of my consuming love! No harder than your heart, nor colder is the hard, cold ersite of this thrice happy bench which supports


Thuvia, Maid of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Master Key by L. Frank Baum:

public, although long after the boy had darted away into the east they argued together concerning the marvelous and incomprehensible vision. Afterward they secretly engrossed the circumstance upon their records, but resolved never to mention it in public, lest their wisdom and veracity should be assailed by the skeptical.

Meantime Rob rose to a higher altitude, and sped swiftly across the great continent. By noon he sighted Chicago, and after a brief inspection of the place from the air determined to devote at least an hour to forming the acquaintance of this most wonderful and cosmopolitan city.

18. A Narrow Escape


The Master Key
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Paradise Lost by John Milton:

Thus when with meats and drinks they had sufficed, Not burdened nature, sudden mind arose In Adam, not to let the occasion pass Given him by this great conference to know Of things above his world, and of their being Who dwell in Heaven, whose excellence he saw Transcend his own so far; whose radiant forms, Divine effulgence, whose high power, so far Exceeded human; and his wary speech Thus to the empyreal minister he framed. Inhabitant with God, now know I well


Paradise Lost
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

respects from that which is generally known, and I think it is even better than that which has hitherto been read and acted. As I have endeavoured to reproduce the works of Sheridan as he wrote them, I may be told that he was a bad hand at punctuating and very bad at spelling. . . . But Sheridan's shortcomings as a speller have been exaggerated." Lest "Sheridan's shortcomings" either in spelling or in punctuation should obscure the text, I have, in this edition, inserted in brackets some explanatory suggestions. It has seemed best, also, to adopt a uniform method for indicating stage-directions and abbreviations of the names of characters. There can be no gain to the reader in reproducing,