Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Edgar Allan Poe

The first excerpt represents the past or something you must release, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

find Lys, I stumbled upon another grave--the grave of William James, with its little crude headstone and its scrawled characters recording that he had died upon the 13th of September--killed by a saber-tooth tiger.

I think that I almost gave up then. Never in my life have I felt more hopeless or helpless or alone. I was lost. I could not find my friends. I did not even know that they still lived; in fact, I could not bring myself to believe that they did. I was sure that Lys was dead. I wanted myself to die, and yet I clung to life--useless and hopeless and harrowing a thing as it had become. I clung to life because some ancient, reptilian forbear had clung


The Land that Time Forgot
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The King of the Golden River by John Ruskin:

momentous visit above related, he entered the Treasure Valley no more; and, what was worse, he had so much influence with his relations, the West Winds in general, and used it so effectually, that they all adopted a similar line of conduct. So no rain fell in the valley from one year's end to another. Though everything remained green and flourishing in the plains below, the inheritance of the three brothers was a desert. What had once been the richest soil in the kingdom became a shifting heap of red sand, and the brothers, unable longer to contend with the adverse skies, abandoned their valueless patrimony in despair, to seek some means of gaining a livelihood among the cities and people of the plains. All their

The third excerpt represents the future or something you must embrace, and is drawn from Enemies of Books by William Blades:

only place on record some of the cruelties perpetrated upon books by the ignorance or carelessness of binders.

Like men, books have a soul and body. With the soul, or literary portion, we have nothing to do at present; the body, which is the outer frame or covering, and without which the inner would be unusable, is the special work of the binder. He, so to speak, begets it; he determines its form and adornment, he doctors it in disease and decay, and, not unseldom, dissects it after death. Here, too, as through all Nature, we find the good and bad running side by side. What a treat it is to handle a well-bound volume; the leaves lie open fully and freely, as if tempting you to read on,