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Today's Stichomancy for Edgar Allan Poe

The first excerpt represents the past or something you must release, and is drawn from The Vicar of Tours by Honore de Balzac:

prefer to seek the doubtful pleasures of society.

The cause of this desertion is plain enough. Although the vicar was one of those to whom heaven is hereafter to belong in virtue of the decree "Blessed are the poor in spirit," he could not, like some fools, endure the annoyance that other fools caused him. Persons without minds are like weeds that delight in good earth; they want to be amused by others, all the more because they are dull within. The incarnation of ennui to which they are victims, joined to the need they feel of getting a divorce from themselves, produces that passion for moving about, for being somewhere else than where they are, which distinguishes their species,--and also that of all beings devoid of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Footnote to History by Robert Louis Stevenson:

dwelling, his spear, his comb, his sleep, his dreams, his anger, the mutual anger of several chiefs, his food, his pleasure in eating, the food and eating of his pigeons, his ulcers, his cough, his sickness, his recovery, his death, his being carried on a bier, the exhumation of his bones, and his skull after death. To address these demigods is quite a branch of knowledge, and he who goes to visit a high chief does well to make sure of the competence of his interpreter. To complete the picture, the same word signifies the watching of a virgin and the warding of a chief; and the same word means to cherish a chief and to fondle a favourite child.

Men like us, full of memories of feudalism, hear of a man so

The third excerpt represents the future or something you must embrace, and is drawn from Riders of the Purple Sage by Zane Grey:

Oh, Bess, what a strange, splendid thing for Oldring to do! It all seems impossible. But, dear, you really are not what you thought."

"Elizabeth Erne!" cried Jane Withersteen. "I loved your mother and I see her in you!"

What had been incredible from the lips of men became, in the tone, look, and gesture of a woman, a wonderful truth for Bess. With little tremblings of all her slender body she rocked to and fro on her knees. The yearning wistfulness of her eyes changed to solemn splendor of joy. She believed. She was realizing happiness. And as the process of thought was slow, so were the


Riders of the Purple Sage