Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Eliza Dushku

The first excerpt represents the past or something you must release, and is drawn from The Crisis in Russia by Arthur Ransome:

were in favor of them, they were likely to be right this time, as so often heretofore. But for the most part the speeches were directly concerned with the problem under discussion, and showed a political consciousness which would have been almost incredible three years ago. The Red Army served as a text for many, who said that the methods which had produced that army and its victories over the Whites had been proved successful and should be used to produce a Red Army of Labor and similar victories on the bloodless front against economic disaster. Nobody seemed to question the main idea of compulsory labor. The contest that aroused

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

I might love you to madness--which is to say, sufficiently to marry you--and yet I should find it very unpleasant to be called Madame Chardon. You can see that. And now that you understand the difficulties of Paris life, you will know how many roundabout ways you must take to reach your end; very well, then, you must admit that Louise was aspiring to an all but impossible piece of Court favor; she was quite unknown, she is not rich, and therefore she could not afford to neglect any means of success.

"You are clever," the Marquise d'Espard continued; "but we women, when we love, are cleverer than the cleverest man. My cousin tried to make that absurd Chatelet useful--Oh!" she broke off, "I owe not a little

The third excerpt represents the future or something you must embrace, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

travelling companion, madame?"

"Ah, indeed, Sir Andrew was kindness itself. How could my children and I ever show enough gratitude to you all, Messieurs?"

Her companion, a dainty, girlish figure, childlike and pathetic in its look of fatigue and of sorrow, had said nothing as yet, but her eyes, large, brown, and full of tears, looked up from the fire and sought those of Sir Andrew Ffoulkes, who had drawn near to the hearth and to her; then, as they met his, which were fixed with unconcealed admiration upon the sweet face before him, a thought of warmer colour rushed up to her pale cheeks.

"So this is England," she said, as she looked round with


The Scarlet Pimpernel