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Today's Stichomancy for Eliza Dushku

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Walden by Henry David Thoreau:

warehouse. What man but a philosopher would not be ashamed to see his furniture packed in a cart and going up country exposed to the light of heaven and the eyes of men, a beggarly account of empty boxes? That is Spaulding's furniture. I could never tell from inspecting such a load whether it belonged to a so-called rich man or a poor one; the owner always seemed poverty-stricken. Indeed, the more you have of such things the poorer you are. Each load looks as if it contained the contents of a dozen shanties; and if one shanty is poor, this is a dozen times as poor. Pray, for what do we move ever but to get rid of our furniture, our exuvioe: at last to go from this world to another newly furnished, and leave


Walden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land of Footprints by Stewart Edward White:

miles over rolling hills piling ever higher and higher until they broke through a pass to illimitable plains. These plains were mantled with the dense scrub, looking from a distance and from above like the nap of soft green velvet. Here and there this scrub broke in round or oval patches of grass plain. Great mountain ranges peered over the edge of a horizon. Lesser mountain peaks of fantastic shapes-sheer Yosemite cliffs, single buttes, castles-had ventured singly from behind that same horizon barricade. The course of a river was marked by a meandering line of green jungle.

It took us two days to get to that river. Our intermediate camp

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collection of Antiquities by Honore de Balzac:

Bourbons, and a second reinstatement (that almost fabulous phase of contemporary history), all these things took the Marquis by surprise at the age of sixty-seven. At that time of life, the most high- spirited men of their age were not so much vanquished as worn out in the struggle with the Revolution; their activity, in their remote provincial retreats, had turned into a passionately held and immovable conviction; and almost all of them were shut in by the enervating, easy round of daily life in the country. Could worse luck befall a political party than this--to be represented by old men at a time when its ideas are already stigmatized as old-fashioned?

When the legitimate sovereign appeared to be firmly seated on the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

before, on the circular staircase, and about the man who had so frightened Rosie on the drive. I saw that he thought the information was important, and to my suggestion that we put an additional lock on the east wing door he opposed a strong negative.

"I think it probable," he said, "that our visitor will be back again, and the thing to do is to leave things exactly as they are, to avoid rousing suspicion. Then I can watch for at least a part of each night and probably Mr. Innes will help us out. I would say as little to Thomas as possible. The old man knows more than he is willing to admit."


The Circular Staircase