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Today's Stichomancy for Eliza Dushku

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

"They can watch me if they want to," she said. "What trouble can I make? I've only just landed. You - you'd have to go a good ways to find any one who knows less than I do about the war."

"There is no doubt of that," he said, unconscious of offense. "But the War Office - " He held out his hands.

Sara Lee, who had already caught the British "a" and was rather overdoing it, had a wild impulse to make the same gesture. It meant so much.

More conversation. Evidently more difficulties - but with Henri now holding the center of the stage and speaking rapidly. The heavy-set man retired and read letters under an electric lamp. The band upstairs was having dinner. And Henri argued and wrangled. He was quite passionate.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Recruit by Honore de Balzac:

"Oh! my child! my child!" she cried, sobbing, and covering him with kisses in a sort of frenzy.

"Madame!" said an unknown man.

"Ah! it is not he!" she cried, recoiling in terror, and standing erect before the recruit, at whom she gazed with a haggard eye.

"Holy Father! what a likeness!" said Brigitte.

There was silence for a moment. The recruit himself shuddered at the aspect of Madame de Dey.

"Ah! monsieur," she said, leaning on Brigitte's husband, who had entered the room, and feeling to its fullest extent an agony the fear of which had already nearly killed her. "Monsieur, I cannot stay with

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

as the lioness emitted a low, savage snarl.

The sight that met the poor woman's eyes was too much for the already overstrung nerves.

"Oh, Gaberelle!" she shrieked, and slid to the floor an inert and senseless mass.

For what seemed an eternity the great brute stood with its forepaws upon the sill, glaring into the little room. Presently it tried the strength of the lattice with its great talons.

The girl had almost ceased to breathe, when, to her relief, the head disappeared and she heard the brute's footsteps leaving the window. But now they came to the door again, and


Tarzan of the Apes
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

'Then why should the fellow take the blame? If he's had nothing out of you?'

'Some men are chivalrous and don't only count what they get out of a woman,' said Hilda.

'One for me, eh? But who's the johnny?'

'A friend whom we've known since we were children in Scotland, an artist.'

'Duncan Forbes!' he said at once, for Connie had talked to him. 'And how would you shift the blame on to him?'

'They could stay together in some hotel, or she could even stay in his apartment.'


Lady Chatterley's Lover