The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Lover's Complaint by William Shakespeare: Oft did she heave her napkin to her eyne,
Which on it had conceited characters,
Laund'ring the silken figures in the brine
That season'd woe had pelleted in tears,
And often reading what contents it bears;
As often shrieking undistinguish'd woe,
In clamours of all size, both high and low.
Sometimes her levell'd eyes their carriage ride;
As they did battery to the spheres intend;
Sometime diverted their poor balls are tied
To th' orbed earth; sometimes they do extend
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Massimilla Doni by Honore de Balzac: gentle sympathy of tenderness. The smartness of a coquette too clearly
marks opposition; however transient it is displeasing; but this
intimate comprehension shows a perfect fusion of souls. The hapless
Emilio was touched by the unspoken divination which led the Duchess to
pity a fault unknown to her.
Massimilla, feeling that her strength lay in the absence of any
sensual side to her love, could allow herself to be expansive; she
boldly and confidently poured out her angelic spirit, she stripped it
bare, just as during that diabolical night, La Tinti had displayed the
soft lines of her body, and her firm, elastic flesh. In Emilio's eyes
there was as it were a conflict between the saintly love of this white
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